A renowned scholar of Islamic art, history and culture, Oleg Grabar introduces in this book a wide range of illuminated manuscript masterpieces from the eighth to the seventeenth century. The heroes of grand epics such as Alexander the Great are found side-by-side with mythical monarchs, sultans, and even monsters. Illuminated manuscripts of the Koran, epic poetry, and scientific works from the Egyptian, Syrian, Persian, Mogul, and Ottoman Empires await discovery. The book opens with an essay which contextualizes the works-the originals of which reside in the Louvre, French National Library, National Library of Cairo, the British Library, Metropolitan Museum of Art, the Topkapi Museum, the Freer Gallery of Art and the collections of the Aga Khan and Khalili families. Following is a selection of two hundred full-color illustrations accompanied by the author's insightful commentary. Including examples of some of the world's most beautiful artistic expressions, this collection of carefully chosen works not only illustrates an important period in art history but also serves as a monument to the achievements of Islamic culture.
具體描述
讀後感
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用戶評價
人物的骨架能看到中國畫的影子，特有的pattern和豐富的用色又有拜占庭的影子。有時候覺得顔色太髒瞭，構圖也有點混亂。
评分文字偏介紹性，在加上奇怪的圖像學分析讓我個人看不太下去...不過內容倒是包羅萬象，感覺伊斯蘭藝術裡東西方的元素都有摻雜一點，其中還有幾幅看起來像唐卡，嚇死小的瞭。
评分人物的骨架能看到中國畫的影子，特有的pattern和豐富的用色又有拜占庭的影子。有時候覺得顔色太髒瞭，構圖也有點混亂。
评分1441年，摩竭魚，伊朗。多處各年代齣現摩竭魚造型
评分人物的骨架能看到中國畫的影子，特有的pattern和豐富的用色又有拜占庭的影子。有時候覺得顔色太髒瞭，構圖也有點混亂。
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