The fictitious hero of this 1984 installation is a lonely dreamer who develops an impossible project: to fly alone in cosmic space. But this dream is also an individual appropriation of a collective Soviet project and the official Soviet propaganda connected to it. Having built a makeshift slingshot, the hero apparently flies through the ceiling of his shabby room and vanishes into space. The miserable room and the primitive slingshot suggest the reality behind the Soviet utopia, in which where cosmic vision and the political project of the Communist revolution are seen as indissoluble. "The Man who Flew into Space from His Apartment" also raises questions of authorship in modernity. All of Kabakov's work is made in the name of other, fictitious artists. This reveals a hidden rule of the modern art system: only an artist who doesn't want to be an artist or who doesn't even know that he is an artist is a real artist--just as only an artwork that does not look like an artwork is a real artwork. The installation is a narrative, the documentation of a fictitious event. Afterall Books are distributed by The MIT Press.
具體描述
讀後感
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用戶評價
Libgen下載的掃描本，格師寫得比卡巴科夫的這件作品本身還精彩，很想收一個紙書瞭！篇幅不長，帶的點卻很多：1）蘇聯航天工程與集體主義夢想的關係； 2）俄國傳統哲學對世界物質性的關注；3）費多羅夫對卡巴科夫的影響；4）卡巴科夫的圖像挪用與西方波普藝術的區別；5）莫斯科觀念主義藝術的的特殊性；6）尤其精彩的是對烏托邦敘事（政治的/藝術的）的解讀；個人敘事如何反抗集體主義敘事；7）裝置對藝術呈現重點的改變；藝術文獻的意義
评分Utopian and individualism
评分Libgen下載的掃描本，格師寫得比卡巴科夫的這件作品本身還精彩，很想收一個紙書瞭！篇幅不長，帶的點卻很多：1）蘇聯航天工程與集體主義夢想的關係； 2）俄國傳統哲學對世界物質性的關注；3）費多羅夫對卡巴科夫的影響；4）卡巴科夫的圖像挪用與西方波普藝術的區別；5）莫斯科觀念主義藝術的的特殊性；6）尤其精彩的是對烏托邦敘事（政治的/藝術的）的解讀；個人敘事如何反抗集體主義敘事；7）裝置對藝術呈現重點的改變；藝術文獻的意義
评分就是政治立場仍讓我介懷…
评分Libgen下載的掃描本，格師寫得比卡巴科夫的這件作品本身還精彩，很想收一個紙書瞭！篇幅不長，帶的點卻很多：1）蘇聯航天工程與集體主義夢想的關係； 2）俄國傳統哲學對世界物質性的關注；3）費多羅夫對卡巴科夫的影響；4）卡巴科夫的圖像挪用與西方波普藝術的區別；5）莫斯科觀念主義藝術的的特殊性；6）尤其精彩的是對烏托邦敘事（政治的/藝術的）的解讀；個人敘事如何反抗集體主義敘事；7）裝置對藝術呈現重點的改變；藝術文獻的意義
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