Walter Bendix Schönflies Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem.
As a sociological and cultural critic, Benjamin combined ideas drawn from historical materialism, German idealism, and Jewish mysticism in a body of work which was a novel contribution to western philosophy, Marxism, and aesthetic theory. As a literary scholar, he translated the Tableaux Parisiens edition of Baudelaire's Les Fleurs du mal as well as Proust's In Search of Lost Time. His work is widely cited in academic and literary studies, in particular his essays The Task of the Translator and The Work of Art in the Age of Mechanical Reproduction. Influenced by Bachofen, Benjamin gave the name "auratic perception" to the aesthetic faculty through which civilization would recover a lost appreciation of myth.
Walter Benjamin - philosopher, essayist, literary and cultural theorist - was one of the most original writers and thinkers of the twentieth century. This new selection brings together Benjamin's major works, including 'One-Way Street', his dreamlike, aphoristic observations of urban life in Weimar Germany; 'Unpacking My Library', a delightful meditation on book-collecting; the confessional 'Hashish in Marseille'; and 'The Work of Art in the Age of Mechanical Reproduction', his seminal essay on how technology changes the way we appreciate art. Also including writings on subjects ranging from Proust to Kafka, violence to surrealism, this is the essential volume on one of the most prescient critical voices of the modern age.
Contains: 'Unpacking My Library'; 'One-Way Street'; 'The Work of Art in the Age of Mechanical Reproduction'; 'Brief History of Photography'; 'Hashish in Marseille'; 'On the Critique of Violence'; 'The Job of the Translator'; 'Surrealism'; 'Franz Kafka' and 'Picturing Proust'.
最近两本一起读,一本是单行道,一本是舍斯托夫以头撞墙,读起来就心闷得慌 ... 一开始还以为自己理解力不逮,后来慢慢地感觉出应该两本书都是翻译上的问题,总觉得不顺,前言不搭后语,索性放弃..... 翻译是个大难题呀......
评分对我来说,这本书的迷人之处就在于它的拗口,它的独辟蹊径。它在诉说,但完全走在自己的道路上,在一种自成意义的语言系统和观感世界中行进。最有趣的是所指和能指之间那神秘的关联,即便通过作者的隐喻和讲解(甚至译者也不得不对此进行一次再阐释,附在每一篇短文的后面,虽...
评分这条路/叫阿西娅拉西斯街/是她作为工程师/使这条街整个地穿过了作者 《單行道》的題記。還能說什么呢?這是世界上最好聽的話。 本雅明有一些浪漫主義,智慧,但同時又很執拗,我猜他是土象或者風象。搜到他的出生日期是1892年7月15日。那就是巨蟹座,水象。 “...
评分这条路/叫阿西娅拉西斯街/是她作为工程师/使这条街整个地穿过了作者 《單行道》的題記。還能說什么呢?這是世界上最好聽的話。 本雅明有一些浪漫主義,智慧,但同時又很執拗,我猜他是土象或者風象。搜到他的出生日期是1892年7月15日。那就是巨蟹座,水象。 “...
论语言那篇文章超级赞
评分a heartful genius calling all mankinds attentions
评分Surrealism+brief history of photography = the niubility of my essay, hopefully. 本神仙保佑论文拿first
评分Surrealism+brief history of photography = the niubility of my essay, hopefully. 本神仙保佑论文拿first
评分论语言那篇文章超级赞
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有