In the Heat of the Sun and Devils on the Doorstep are two of the finest and most honored Chinese films ever made. Body in Question is the first book to thoroughly examine these groundbreaking works and one of the first books in English to study individual Chinese films in depth.
These two award-winning films by renowned director-actor Jiang Wen and cinematographer Gu Changwei are unsurpassed in China for their exquisite attention to realistic detail, their stylistic range, their emotional breadth, and their razor-like commentary on contemporary China. In scenes that range from hilarious to horrific, China's ruling elite and its complicated relationship with Japan are subjected to the filmmakers' ironic treatment and profound concern with social justice. In the Heat of the Sun has become unavailable, and Devils on the Doorstep has been suppressed by the Chinese government. Jerome Silbergeld gives these two important films careful and extended study in Body in Question. He uses cinema and photography, political history, anthropology and philosophy, Chinese rhetorical traditions, and concepts of justice to explore the films' visual complexity and intellectual force, providing a unique look at the artistry and pressing concerns of Chinese cinema today. An accompanying DVD includes major clips from both films.
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这书刷新了我对姜文电影的世界观。作者对《阳光灿烂的日子》的解析真是奇葩又独特，并且还理有据令人信服。看了此影评后读其他对这部电影的解读都算过家家。但问题是：根据Silbergeld对姜文的理解，若《阳光》真的是对理想的幻灭与反怀旧，那么姜文在《让子弹飞》里表达的情怀则站在了此论点的对立面。
评分西方视角的独特之处和偏见都不可避免。很怀疑作者懂不懂中文，以西方对中国研究的文献为基础理解中国，得到的无非是想象中的东方
评分西方的视角看姜文，读解自然比体制内人狠辣精准的多；有些对于历史更客观的认识，也存在对现实媒体主义的理解偏差；读了哈佛图书馆的自带作者留言赠书版…装帧印刷极棒的书，好想收一本
评分西方的视角看姜文，读解自然比体制内人狠辣精准的多；有些对于历史更客观的认识，也存在对现实媒体主义的理解偏差；读了哈佛图书馆的自带作者留言赠书版…装帧印刷极棒的书，好想收一本
评分这书刷新了我对姜文电影的世界观。作者对《阳光灿烂的日子》的解析真是奇葩又独特，并且还理有据令人信服。看了此影评后读其他对这部电影的解读都算过家家。但问题是：根据Silbergeld对姜文的理解，若《阳光》真的是对理想的幻灭与反怀旧，那么姜文在《让子弹飞》里表达的情怀则站在了此论点的对立面。
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