A novel of family intrigue from "one of the most accomplished writers of fiction of our day" ("The Washington Post") All Alison ever wanted was a blissful childhood for her six children, with summers at the beach and birthday parties on the lawn at their family home. Together with Ingrid, the family au pair, she has worked hard to create a real "old-fashioned family life." But beneath its postcard sheen, the picture is clouded by a distant father, Alison's inexplicable emotional outbursts, and long-repressed secrets that no one dares mention. For years, Alison's adult children have protected her illusion of domestic perfection-but as each child confronts the effects of past choices on their current adult lives, it becomes evident that each must face the truth. Penelope Lively's novels of history, memory, and character have earned her a loyal readership. Like Ian McEwan's "Atonement," this novel is a measured, thoughtful look at how events of the past, both small and large, seen and unseen, deeply inform character and the present. Quietly provocative and disturbing, "Family Album" is a highly nuanced work that showcases a master of her craft.
Penelope Lively CBE (born March 17, 1933) is a prolific, popular and critically acclaimed author of fiction for both children and adults. She has been shortlisted three times for the Booker Prize, winning once for Moon Tiger in 1987. Her writing, like that of her peers Margaret Drabble, Nina Bawden, A. S. Byatt and others, is influenced strongly by an awareness of, and a response to, the sweeping social changes that have taken place in Britain in the course of the twentieth century.
Penelope Low was born in Cairo in 1933. She spent her early childhood in Egypt, before being sent to boarding school in England at the age of twelve. She read Modern History at St Anne's College, Oxford. She married the academic Jack Lively in 1957 and lived with him in Swansea and Oxford, among other places; he died in 1998, and Penelope Lively now lives in north London.
Lively first achieved success with her children's fiction. Her first book, Astercote, was published in 1970. Since then, she has published many other books for children, achieving particular recognition with The Ghost of Thomas Kempe (1973) for which she received the Carnegie Medal and with A Stitch in Time (1976) which won her the Whitbread Award for best children's book.
Her first novel for adults, The Road to Lichfield, was published in 1977 and made the shortlist for the Booker Prize. She repeated this feat in 1984 with According to Mark, and eventually won the prize in 1987 with Moon Tiger, which tells the story of a woman's tempestuous life as she lies dying in a hospital bed. As is the case with all of Lively's fiction, the novel is marked by a close attention to the power of memory, the impact of the past upon the present, and the tensions between 'official' and personal histories. These are themes explored more explicitly in such non-fiction titles as A House Unlocked (2001) and Oleander, Jacaranda: A Childhood Perceived (1994), Lively's compelling memoir of her Egyptian childhood.
In addition to writing novels and short stories, Penelope Lively has also written radio and television scripts, presented a radio programme and contributed reviews and articles to various newspapers and journals. She is a Fellow of the Royal Society of Literature, and was awarded the OBE in 1989 and the CBE in 2001.
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这本书带给我的最大震撼,在于它对“时间”这一维度的处理方式。它并非线性地向前推进,而是通过大量的闪回和交叉叙事,将过去与现在无缝地编织在一起,清晰地展示了童年阴影是如何像隐形的藤蔓一样,紧紧缠绕着成年后的每一个决定。你会看到,某个看似偶然的现在行为,其实是多年前某个被遗忘的瞬间的必然回响。作者对这种“因果循环”的展现是极其隐晦和高明的,它没有采用明显的宿命论调,而是通过反复出现的意象和主题,潜移默化地让读者体会到,有些家庭的模式,似乎被某种无形的力量锁定,难以挣脱。这种对历史惯性的揭示,让我在合上书本时,产生了一种深刻的无力感,但也正是这种真实感,让这部作品拥有了超越一般家庭伦理剧的深度和广度,它值得被反复阅读和细细品味,每一次重读,都会发现新的、被先前阅读经验所忽略的层面。
评分这部作品以其对复杂人际关系的深刻洞察力,成功地描绘了一幅充满张力和情感纠葛的家庭群像。作者的笔触细腻而精准,仿佛能穿透人物的表面,直达他们内心深处的挣扎与渴望。我尤其欣赏它在描摹代际差异时所展现出的那种不动声色的力量,没有刻意的说教或偏袒任何一方,只是将不同时代背景下个体面对生活洪流时的无奈与坚持,原原本本地呈现在读者眼前。每一次翻页,都像是在窥视一个真实存在、却又无比脆弱的微观世界。那些看似平淡无奇的日常对话中,往往蕴含着足以颠覆整个家庭平衡的暗流,这使得阅读过程充满了紧张感和期待感,让人忍不住想知道,在下一次的家庭聚会中,又会爆发出怎样的情感火花,或者又会是怎样一种压抑的沉默收场。叙事节奏的把控堪称一流,时而舒缓,时而骤紧,完美地模拟了真实家庭生活那种难以预测的起伏不定。它迫使读者去反思自己与原生家庭的关系,那些未曾言明的芥蒂,那些被时间冲刷却从未真正消散的伤痕,都在字里行间得到了极大的凸显。
评分从文学性的角度来审视,这部作品的语言运用达到了近乎诗意的地步,但又完全没有脱离日常的烟火气。它成功地在高度文学化的遣词造句与日常琐碎的场景描写之间找到了一个近乎完美的平衡点。你会发现,即便是描写一次简单的晚餐准备过程,作者也能从中提炼出某种哲学的意味,探讨存在、时间流逝与记忆的不可靠性。这种对语言的精准驾驭,使得即便是严肃的主题,读起来也丝毫没有沉闷感,反而有一种流畅的、引人入胜的韵律。我尤其赞赏作者对“沉默”的处理——在许多关键时刻,人物选择缄口不言,而这些沉默本身比任何激烈的争吵都更具杀伤力。这种对非语言交流的捕捉与放大,体现了作者极高的文学敏感度。它不只是在讲一个故事,更像是在演奏一曲复杂的室内乐,每一个音符(词语)都恰到好处,共同营造出一种宏大而又私密的氛围。
评分老实说,我一开始是被封面上那种略带怀旧的色调吸引的,但真正读进去之后,才发现这绝非一部简单的“家庭回忆录”。它更像是一部精密的社会学观察报告,用艺术的语言探讨了“归属感”这个永恒的主题。作者构建的这个家庭,其成员之间的互动模式,简直可以作为教科书级别的案例来分析。你会看到,为了维持表面的和谐,每个人都戴着一副精心雕琢的面具,而这些面具之下,是多么渴望被真正理解和接纳的灵魂。尤其是对其中某位核心人物的心理刻画,简直达到了令人毛骨悚然的真实感——那种将自我价值完全依附于他人认可之上,从而产生的一种微妙的控制欲,被描摹得入木三分。我读到某个特定场景时,甚至能感受到空气中凝固的尴尬和紧张,仿佛我本人就坐在那个房间里,生怕一句话说错,就会引发连锁反应。这本书的伟大之处在于,它没有提供任何简单的解决方案,它只是冷静地展示了困境本身,让读者自行去寻找在自己生活中与之对应的影子。
评分这部小说的结构安排,堪称匠心独运。它巧妙地运用了多重视角叙事,使得原本单一的家庭历史被无限地拉伸和扭曲,每个人都有自己的“真相”,而所有真相的碎片拼凑起来,才构成了一个模模糊糊、充满矛盾的整体图景。这种叙事手法极大地增强了故事的层次感和可读性,你永远无法完全信任任何一个叙述者,这让你始终保持着批判性的阅读姿态。我特别喜欢作者在细节处理上的克制——它不会用大段的内心独白去解释人物的动机,而是通过一个眼神、一个未完成的动作、或者一件被反复提及却从未被使用的物品,来暗示所有陈年的恩怨。这种“留白”的处理,极大地激发了读者的想象力,让每个人都能在自己的经验库中,为这些模糊的线索填上属于自己的注脚。读完后,我感到一种强烈的“情绪残留”,那种说不清道不明的失落感,久久不能散去,这大概是真正优秀文学作品的标志吧。
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