Both Ways Is the Only Way I Want It

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With the succinct stories that have become her signature, Maile Meloy has graced literary publications from The New Yorker to The Paris Review and Best New American Voices. Her first published story collection, Half in Love, promises to bring Meloy's acclaimed vignettes to an even wider audience.

出版者:Riverhead
作者:Maile Meloy
出品人:
頁數:240
译者:
出版時間:09 Jul 2009
價格:USD 25.95
裝幀:Hardcover
isbn號碼:9781594488696
叢書系列:
圖書標籤:
  • 美國 
  • 小說 
  • 短篇 
  • 女性 
  • 外國文學 
  • 短篇小說 
  • Fiction 
  • 英美 
  •  
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Meloy’s first return to short stories since her critically acclaimed debut, Both Ways Is the Only Way I Want It is an extraordinary new work from one of the most promising writers of the last decade.

Eleven unforgettable new stories demonstrate the emotional power and the clean, assured style that have earned Meloy praise from critics and devotion from readers. Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields—and fields of victory—that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly— and reluctantly—in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.

Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy’s singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

具體描述

讀後感

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平日喜欢看电影,我超爱凯莉·雷查德,特别是《米克的近路》,那是一部反类型的杰作:传统西部片中由男性主导的暴力性景观,转化为女性的沉默、忍耐和长途跋涉……雷查德拒绝了戏剧性,拒绝观众的眼光,转而向生活本身的真实性靠拢,以剧中女性的视角,塑成一个更为完整的世界...  

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一个来自偏远农场的年轻人,偶遇一名法学院毕业的女生。他羞涩地邀她骑马,感受背后的她“嵌进他的身体,仿佛一块缺失已久的拼图”;一个年轻的父亲打开门,发现自己死去的祖母站在台阶上;两个女人在纷飞的大雪中权衡着爱情和背叛;此外,还有一位失落的老人、一个嫉妒的父亲...  

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用戶評價

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第一篇很棒,後麵跟弟弟滑雪那篇也很amusing

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讀完整本,我不禁開始懷疑對開篇的喜歡是不是因為經過瞭影像的熏陶?顯然電影對<Travis, B.>的改編拿捏得非常棒,無論是整體悄無聲息的風格,空曠平凡中湧動的情緒,故事的簡單與內心的波瀾反差,以及女主衣著、吃飯模樣的細節刻畫,都做到瞭影像與文本同樣齣色(也許正是文本的簡練給瞭影像發揮的空間),當然瞭把男孩子換成女孩子更是電影的神來之筆。不過越往後讀驚喜越少,第二和第三篇還算挺喜歡,再後麵齣軌主題重復的有點多,有幾篇場景集中在室內對話顯得短而狹窄。感覺下來確實她的書還是比較適閤影像化的。

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迷人。

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Both ways is the ONLY way I want it.

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讀完整本,我不禁開始懷疑對開篇的喜歡是不是因為經過瞭影像的熏陶?顯然電影對<Travis, B.>的改編拿捏得非常棒,無論是整體悄無聲息的風格,空曠平凡中湧動的情緒,故事的簡單與內心的波瀾反差,以及女主衣著、吃飯模樣的細節刻畫,都做到瞭影像與文本同樣齣色(也許正是文本的簡練給瞭影像發揮的空間),當然瞭把男孩子換成女孩子更是電影的神來之筆。不過越往後讀驚喜越少,第二和第三篇還算挺喜歡,再後麵齣軌主題重復的有點多,有幾篇場景集中在室內對話顯得短而狹窄。感覺下來確實她的書還是比較適閤影像化的。

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