This is a unique collection of cover artwork of revolutionary Jazz releases in the USA in the 1970s, a time of great political and social importance for African-American artists. Martin Luther King, Malcolm X and John Coltrane loom large as self-determination, economic power and musical freedom led to artists finding new paths both musical and economic. Away from the mainstream, many of these musicians chose to take control of their economic worth by recording, releasing and distributing their own material. Thirty years later and these artefacts are a striking reflection of the time; pre-desktop publishing, pre-internet these small-run (sometimes as low as 500 copies), self-made sleeves are as iconic and historically important as the revolution of D-I-Y culture that sprang out of Punk. Soul Jazz Records have produced many releases relating to this music and this book is the first ever collection of this amazing artwork. The book comes with a large introduction contextualising the music and artwork and relating how the music came about along with interviews with many of the people involved.
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选择听唱片基本是看专辑封面决定，好封面唱片本身也不会差，自由爵士唱片的专辑名字与封面担任了在无序环境里提纯的统领作用，同时必须是敞开并指向无限的
评分选择听唱片基本是看专辑封面决定，好封面唱片本身也不会差，自由爵士唱片的专辑名字与封面担任了在无序环境里提纯的统领作用，同时必须是敞开并指向无限的
评分选择听唱片基本是看专辑封面决定，好封面唱片本身也不会差，自由爵士唱片的专辑名字与封面担任了在无序环境里提纯的统领作用，同时必须是敞开并指向无限的
评分选择听唱片基本是看专辑封面决定，好封面唱片本身也不会差，自由爵士唱片的专辑名字与封面担任了在无序环境里提纯的统领作用，同时必须是敞开并指向无限的
评分选择听唱片基本是看专辑封面决定，好封面唱片本身也不会差，自由爵士唱片的专辑名字与封面担任了在无序环境里提纯的统领作用，同时必须是敞开并指向无限的
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