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This volume of fourteen essays explores Chinese poetic modernism in all its facets, from its origins in the 1920s through 21st century manifestations. Modernisms in the plural reflects the complexity of the ideas and forms which can be associated with this literary-historical term. The volume’s contributors take a variety of focus points, from literary groups such as “9 Leaves” or “Bamboo Hat,” to individuals such as modernist sonneteer Feng Zhi 馮至, or Taiwan experimentalist Xia Yu 夏宇 (Hsia Yü), and Hong Kong modernist Leung Ping-kwan 梁秉鈞, to non-biographically oriented chapters concerning modernist language, poetry and visual art, among other issues. Collectively, the volume endeavors to present as complete a picture of modernist practice in Chinese poetry as possible.

Paul Manfredi’s research concerns modern and contemporary Chinese poetry and art, modernism, and urban culture in China in Pacific Lutheran University. His articles have appeared in Modern Chinese Literature and Culture, Journal of Modern Literature in Chinese, and Yishu: Journal of Contemporary Chinese Art, while his translations have appeared in various collections of modern and contemporary Chinese poetry. He now lives with his family in Bellevue, WA, a small city that is slowly but surely surpassing its status as mere “Seattle suburb.”

Christopher Lupke’s research interests lie in modern and contemporary Chinese literature, cinema, and culture. He began his study of Chinese in the late 1970s at the Chinese University of Hong Kong, pursued language study and research at National Taiwan University in the 1980s, and has lived in Hong Kong, Taipei, and Beijing. He was classically trained in Chinese at the University of Wisconsin under Tse-tsung Chow, Joseph Lau, and Robert Joe Cutter, and then further trained at Cornell in classical studies under Tsu-Lin Mei, modern studies under Edward Gunn, and in cultural theory under Daniel Schwarz, Jonathan Culler, Dominick LaCapra, Benedict Anderson, Biodun Jeyifo, Sander Gilman, Mary Jacobus, and many of the leading luminaries in literary and film theory. He is a prof in University of Alberta.

Toward an Origin of Chinese Poetic Modernisms
The Origins and Historical Development of the Modernist Poets
著者： Dizhi Lan
From Du Fu to Rilke and Back: Feng Zhi’s Modernist Aesthetics and Poetic Practice
著者： Géraldine Fiss
頁碼： 38–56
Drama-tic Synthesis: Time, Memory, and History in the Writings of the Nine Leaves Poets
著者： Yanhong Zhu
頁碼： 57–81
The Classical Echo in Chinese Poetic Modernism
著者： Dian Li
頁碼： 82–103
Modernist Poetry from Taiwan
Xia Yu and the Modernist Tradition in Taiwan
著者： Michelle Yeh
頁碼： 107–131
Yu Guangzhong’s Modernist Spirit: from In Time of Cold War to Tug of War with Eternity
著者： Fangming Chen (陳芳明)
頁碼： 132–152
Li and Modernism: the Development of a Poetry Journal
著者： Meihui Ruan (阮美慧)
頁碼： 153–177
Bridging Borders in Contemporary Poetry
The Poetics of Exile: the Cases of Shang Qin and Bei Dao
著者： Nikky Lin
頁碼： 181–208
National Myth and Global Aesthetics: Reading Yeats alongside Chinese Poetic Modernism
著者： Christopher Lupke
頁碼： 209–234
Measure Words Not for Measure: a Linguistic Experiment in Modern Chinese Poetry
著者： Lisa Lai-ming Wong
頁碼： 235–257
Reconceptualizations of Poetry in the Post-Mao Era
Network Analysis as a Modernist Intervention: the Case of Chinese Poetry Readings
著者： Nick Admussen
頁碼： 261–282
Modernist Waves: Yang Lian, John Cayley, and the Location of Global Modernism in the Digital Age
著者： Jacob Edmond
頁碼： 283–303
Annotating the Aporias of History: the “International Style,” Chinese Modernism, and World Literature in Xi Chuan’s Poetry
著者： Lucas Klein
頁碼： 304–335
Modernist Literati: Abstract Art of Contemporary Chinese Poets
著者： Paul Manfredi
頁碼： 336–364
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