Amazon.com One way to judge the quality of an angling writer's work is to put it to this test: does the writer sound like somebody you'd want to go fishing with? For some 30 years now, Nick Lyons--angler, college professor, essayist, and book publisher--has passed the exam effortlessly. A fisherman's fisherman and a writer's writer, Lyons is an acknowledged master of both crafts. Literate, philosophic, passionate, witty, and self-effacing, he has stories to tell and he's skilled in the art of telling them. Who wouldn't want to spend time on the river with this guy? Through Full Creel, you spend a virtual half lifetime with him. The book is a splendid omnibus, self-culled by Lyons from the seven collections of essays that he's published since 1970. If you've never read him before, this is a perfect volume to wade into; if you're already a fan, the book will remind you why as it flows around the bends of an angler's life from what Lyons calls "the innocent enthusiasms" that marked The Seasonable Angler, his first book, to the more brooding contemplations of an older, wiser, more seasoned human being who loves to fish. This is a man who adores his gadgets, his streams, his family, the traditions of his sport, and the marvelous places fishing takes him--both internally and externally. He can look at a simple fly, as he does in "The Things of Fly Fishing" and deem it a "minor monument" just as he can look at himself in "The Aging Fly Fisher," ponder the good and bad of growing old, and muse, "For it is a happy progression, a seasoning of our timber, from bumbling to skill, from not knowing to knowing ... but never all." That is the magic of fly fishing, really--however much one knows there's always more to be learned. As Full Creel moves through time, it is evident just how enthusiastic a learner, how genial an observer, and how graceful a writer Lyons has been and continues to be. It makes Lyons, like that beloved fly, something of a minor monument himself, one that, essay by essay, just beckons to be scaled. --Jeff Silverman --This text refers to an out of print or unavailable edition of this title. From Publishers Weekly Fly-fishing aficionados know Lyons as one of the more eminent writers and publishers of angling literature. This omnibus gleans the best of his seven fishing books, from 1970's The Seasonable Angler to last year's My Secret Fishing Life. Whether fireside in New York tending his gear or streamside fishing a trout, Lyons is a personable and generous companion. These 80-some essays range widely, from boyhood trespasses on Brooklyn lawns in search of fat earthworms to his uneasy reign as a globe-trotting "bogus expert." While plenty of brooding, introspective pieces by other writers pay tribute to anglers' yearning for solitude and beauty, Lyons avoids the earnest, hermetic solipsism that so often mars the genre. His strongest essays are simple narratives that focus on family and fishing buddiesAmany of them true angling legends. Constant throughout this formidable compendium is Lyons's deeply abiding love (addiction, he rightly calls it) for the chase. He bumbles frequentlyAfalling out of boats, spraying fly dope in his eyes, miring his rental car in sand, fishing without a hookAbut also passes along ample wisdom about fishing and life. The former, he writes, "is merely a lovely, useless activity that, somehow, has become an axial line in my life, an anchor... a magnet for most of what I had to say on any subject." Lyons has plenty to say and he says it with such humility, good humor and perspective that even non-anglers have good reason to fish here. (Sept.) Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
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我必须承认,这本书的文学成就或许很高,但它的可读性对于大众读者而言,是一个巨大的门槛。这本书的语言风格极其考究,句式结构复杂,大量使用罕见的词汇和古典的表达方式,使得即便是理解了句子表层意思,也需要反复推敲其深层韵味。我感觉自己像是在啃一块极其坚硬但营养丰富的矿石,每一次凿击都需要极大的专注力。全书的节奏把握得非常缓慢,大量的篇幅被用于描绘一个特定场景下的光影变化或者某种微小的感官体验,这种极致的细节描写,虽然在艺术上达到了登峰造极的境界,但确实让习惯快节奏叙事的读者感到乏味。我读得很慢,经常需要查阅背景资料来理解作者引用的那些晦涩的典故。总而言之,这是一部需要沉下心来,带着“朝圣”心态去阅读的作品,它更适合在安静的书房里,配备着厚重的词典进行精读,而不是在通勤路上消磨时间。
评分这本书给我的感觉是,作者仿佛是一位冷眼旁观的记录者,他将镜头聚焦在人性的最底层和最边缘的部分。没有传统意义上的“好人”或“坏人”,每一个角色都是多面且充满矛盾的集合体。最让我震撼的是那种近乎残酷的真实感,它剥去了所有社会化的伪装,直指人性的幽暗与脆弱。我尤其注意到了作者在处理对话时的风格——那些对白简短、克制,充满了未尽之言,很多时候,人物真正想表达的情感是通过他们“没有说出口的话”来体现的。这种留白的处理手法,极大地考验了读者的共情能力和想象力。阅读过程中,我常常感到一种压抑,但这种压抑并非令人反感,反而有一种净化人心的效果,它迫使我们正视生活中那些不愿提及的阴影。这本书绝不是那种读完可以让你心情愉悦的作品,但它无疑会成为一本能深刻影响你世界观的“里程碑”式的作品。
评分这本书的文字带着一种奇特的魔力,每次翻开,我都感觉自己被拉入了一个与现实世界格格不入的角落。它并非那种情节跌宕起伏、高潮迭起的传统小说,更像是一幅缓慢展开的、充满象征意义的画卷。作者的笔触极其细腻,对于人物内心世界的挖掘达到了令人心惊的深度。那些角色的挣扎、迷惘,以及他们在面对生活困境时表现出的那种近乎病态的执着,都让人在阅读时产生强烈的共鸣,仿佛书中人物的影子投射在了我们自己的人生轨迹上。我尤其欣赏作者对于环境和氛围的描摹,那些略显阴郁、潮湿的场景描写,不仅是背景的交代,更是情绪的延伸,它们与人物的心理状态完美地交织在一起,构成了一个完整而自洽的艺术空间。读完后,我花了很长时间才从那种沉浸感中抽离出来,书中的某些意象,比如反复出现的某个特定的物件,或者某句略显晦涩的对白,至今仍在我的脑海中反复盘旋,需要不断地回味和解读。这本书不适合追求快速阅读体验的读者,它要求你慢下来,去感受那些潜藏在字里行间未被言明的张力,这是一种挑战,也是一种极大的享受。
评分这本书最让我称道的一点,是它对于“沉默”的艺术掌控。在情节推进缓慢的间隙中,作者巧妙地插入了一些看似无关紧要的生活片段,这些片段往往充满了象征性的重量。它不是那种轰轰烈烈的情感爆发式的小说,而更像是一部关于“存在主义的默剧”。我能清晰地感受到作者在构建世界观时所下的苦心,他没有急于解释一切,而是将许多关键性的转折点留给读者自行去填补和解释。这种开放式的叙事,使得每一个读者对这本书的理解都会产生独特的切面。我个人更倾向于从社会批判的角度去解读其中的某些隐喻,而我的朋友可能更侧重于心理分析,这恰恰说明了这部作品的张力和深度。它不是一部提供标准答案的书籍,而是一面镜子,映照出你内心深处最真实的疑问和不安。每次合上书页,都会有一种智力被充分挑战和拓展的满足感,这才是真正有价值的阅读体验。
评分我得说,这是一部需要“体力”才能读完的书。不是说它篇幅有多么宏大,而是它对阅读者心智上的要求极高。故事的叙事结构是跳跃且非线性的,章节之间的时间线经常是错位的,初读时常常会感到迷失方向,不得不频繁地回溯前文去拼凑人物关系和事件的因果链。这种写作手法无疑增加了阅读的难度,但也正是在这种碎片化的叙事中,作者巧妙地引导我们去关注“感受”而非“事件”本身。书中的哲学思辨成分非常重,夹杂了大量关于存在、记忆和时间本质的探讨,这些部分读起来就像是跟一个知识渊博但又极其疏离的朋友在进行一场高强度的思想交锋。我发现自己不得不准备笔记本,记录下那些关键的理论阐述和作者构建的特定符号系统,否则很容易跟不上作者的思路。最终完成阅读时,收获是巨大的,但过程中的挫败感也同样强烈,这更像是一次学术性的探索,而非轻松的消遣。
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