Sorry, This edition is no longer available*** This book should come with a warning label. It is surely one of the most bracing books on politics in the history of the English language, and all the more remarkable that it was published in 1920.
It's no wonder it's hard to get. There is more truth in these pages than most Americans are willing to face. Nor will there ever come a time when they will face them. For what Mencken delivers here is probably the most scathing attack on the idea of mass rule that has ever been written.
Mencken is known as the chief heretic of the American civic religion, and this book shows why. Your eyes will pop out at not only his dazzling prose but, and most especially, at the thoughts that he dares put in print, almost as a revolutionary act.
Here is a slight sample, passages sampled nearly randomly:
What does the mob think? It thinks, obviously, what its individual members think. And what is that? It is, in brief, what somewhat sharp-nose and unpleasant childrern think. The mob, being composed, in the overwhelming main, of men and women who have not got beyond the ideas and emotions of childhood, hovers, in mental age, around the time of puberty, and chiefly below it. If we would get at its thoughts and feelings we must look for light to the thoughts and feelings of adolescents.
When the city mob fights it is not for liberty, but for ham and cabbage. When it wins, its first act is to destroy every form of freedom that is not directed wholly to that end. And its second is to butcher all professional libertarians. If Thomas Jefferson had been living in Paris in 1793 he would have made an even narrower escape from the guillotine than Thomas Paine made.
What the common man longs for in this world, before and above all his other longings, is the simplest and most ignominious sort of peace: the peace of a trusty in a well-managed penitentiary. He is willing to sacrifice everything else to it. He puts it above his dignity and he puts it above his pride. Above all, he puts it above his liberty. The fact, perhaps, explains his veneration for policemen, in all the forms they take—his belief that there is a mysterious sanctity in law, however absurd it may be in fact.
A policeman is a charlatan who offers, in return for obedience, to protect him ( a ) from his superiors, ( b ) from his equals, and ( c ) from himself. This last service, under democracy, is commonly the most esteemed of them all. In the United States, at least theoretically, it is the only thing that keeps ice-wagon drivers, Y. M. C. A. secretaries, insurance collectors and other such human camels from smoking opium, ruining themselves in the night clubs, and going to Palm Beach with Follies girls…Here, though the common man is deceived, he starts from a sound premise: to wit, that liberty is something too hot for his hands---or, as Nietzsche put it, too cold for his spine.
Politics under democracy consists almost wholly of the discovery, chase, and scotching of bugaboos. The statesman becomes, in the last analysis, a mere witch-hunter, a glorified smeller and snooper, eternally chanting "Fe, Fi, Fo, Fum!" It has been so in the United States since the earliest days. The whole history of the country has been a history of melodramatic pursuits of horrendous monsters, most of them imaginary: the red-coats, the Hessians, the monocrats, again the red-coats, the Bank, the Catholics, Simon Legree, the Slave Power, Jeff Davis, Mormonism, Wall Street, the rum demon, John Bull, the hell hounds of plutocracy, the trusts, General Weyler, Pancho Villa, German spies, hyphenates, the Kaiser, Bolshevism. The list might be lengthened indefinitely; a complete chronicle of the Republic could be written in terms of it, and without omitting a single important episode.
It was long ago observed that the plain people, under democracy, never vote for anything, but always against something. The fact explains in large measure, the tendency of democratic states to pass over statesmen of genuine imagination and sound ability in favour of colorless mediocrities. The former are shining marks, and so it is easy for demagogues to bring them down; the latter are preferred because it is impossible to fear them.
There is much more. Much more. Murray Rothbard didn't share Mencken's pessimism but he sure liked his mode of thinking, his writing style, and his love of liberty.
Even if you think you have read it all, this book will rattle you to the very core, for it causes a rethinking of the whole structure of the political system. But Mencken also shows that he is more than a cynic, contrary to his reputation. What shines through this treatise is a deep attachment to liberty and a search for some way to protect it from the attack of the mob, which he regards as liberty's greatest enemy.
If there really were a banned book list in the annals of American statescraft, this would surely be on it. It is not for the faint of heart. Read it, and pass it around, as a revolutionary act.
H.L.民肯 民主公民 1: 世界对他的印象 民主伴随着甜美轻柔的音乐来到了西方社会。从一开始,我们就不曾听到来自底层粗俗的喧嚷,只有上层社会悦耳的轻声细语。由此而来的民主公民自然是一个被理想化了的存在,充满了无法用言语形容的优点以及浪漫的缺点——简单来说,就说...
评分H.L.民肯 民主公民 1: 世界对他的印象 民主伴随着甜美轻柔的音乐来到了西方社会。从一开始,我们就不曾听到来自底层粗俗的喧嚷,只有上层社会悦耳的轻声细语。由此而来的民主公民自然是一个被理想化了的存在,充满了无法用言语形容的优点以及浪漫的缺点——简单来说,就说...
评分H.L.民肯 民主公民 1: 世界对他的印象 民主伴随着甜美轻柔的音乐来到了西方社会。从一开始,我们就不曾听到来自底层粗俗的喧嚷,只有上层社会悦耳的轻声细语。由此而来的民主公民自然是一个被理想化了的存在,充满了无法用言语形容的优点以及浪漫的缺点——简单来说,就说...
评分H.L.民肯 民主公民 1: 世界对他的印象 民主伴随着甜美轻柔的音乐来到了西方社会。从一开始,我们就不曾听到来自底层粗俗的喧嚷,只有上层社会悦耳的轻声细语。由此而来的民主公民自然是一个被理想化了的存在,充满了无法用言语形容的优点以及浪漫的缺点——简单来说,就说...
评分H.L.民肯 民主公民 1: 世界对他的印象 民主伴随着甜美轻柔的音乐来到了西方社会。从一开始,我们就不曾听到来自底层粗俗的喧嚷,只有上层社会悦耳的轻声细语。由此而来的民主公民自然是一个被理想化了的存在,充满了无法用言语形容的优点以及浪漫的缺点——简单来说,就说...
这本书的语言风格,用“酣畅淋漓”来形容或许最为贴切。它没有太多冗余的修饰,每一个句子似乎都经过了精心的打磨,直击要害。我尤其欣赏作者在处理那些充满争议的议题时的那种克制而有力的笔法。比如在探讨代议制机构的合法性危机时,作者没有简单地指责其腐朽,而是细致地剖析了社会结构变迁如何侵蚀了传统代议制的基础,并提出了几种极具挑战性的替代方案——这些方案的提出,仿佛是把读者直接推到了一个思想的悬崖边,迫使我们必须正视现有体系的内在矛盾。更难得的是,作者在批判之余,也展现出一种建设性的乐观精神。他并没有沉溺于对衰败的哀叹,而是着眼于如何在信息爆炸的时代,重建公民对公共事务的信任感。书中关于“数字公民权”的探讨,展现了对未来社会形态的前瞻性思考,它探讨的不是技术本身有多酷炫,而是技术如何被用来重塑权力关系,确保权力的运行仍然对普通人负责。读罢,我感觉自己的思维被彻底地激活了,那些原本模糊的概念,此刻变得清晰而锋利。
评分这本书的学术深度是毋庸置疑的,但真正让我感到惊喜的是它在方法论上的开放性。作者似乎拒绝被单一的学术流派所束缚,而是游刃有余地融合了政治哲学、社会心理学乃至一些治理科学的洞见。我注意到,书中对“协商的困境”的分析,引入了博弈论的一些概念,这使得原本偏向伦理层面的讨论,增添了一层精密的逻辑支撑。这种跨学科的视野,极大地拓宽了我理解政治互动的维度。书中对“抵抗的艺术”的描绘也十分精彩,它没有浪漫化反抗行为,而是将其置于权力的结构性制约下进行考察,探讨在体制内寻求微小变革的可能性与局限性。这使得全书的基调非常务实,它没有提供任何乌托邦式的廉价承诺,而是冷静地告诉读者,民主的维护是一个永无止境的、需要持续投入精力的过程。这种拒绝简化、拥抱复杂性的态度,是这本书最宝贵的地方。
评分读完全书,我产生了一种强烈的“唤醒感”,仿佛自己先前对许多社会现象的观察都停留在表层,而这本书为我提供了透视深层结构所需的“X光片”。它对“公民美德”的探讨,不是空泛地要求个体变得更无私,而是探讨在特定制度安排下,何种程度的个体理性与公共责任感才能得以可持续地激发和维持。作者对“倾听的政治”的强调尤为动人,他指出,在极端两极化的时代,倾听不再是一种被动的接受,而是一种主动的、具有政治意义的建构行为。书中对不同历史时期,公民如何学会“倾听”不同群体的声音,并将其转化为政策语言的案例分析,极具启发性。这本书的价值不在于提供一个现成的“完美民主”模型,而在于它清晰地界定了“好的政治”所需要面对的永恒挑战,并以一种冷静而充满智慧的笔触,引导我们去思考——我们究竟想生活在一个怎样的共同体中。它是一次严肃的智力冒险。
评分阅读体验上,这本书的结构安排非常巧妙,它不像传统的教科书那样线性推进,而是采取了一种螺旋上升的方式,不断地在宏观理论和微观实践之间进行切换。这种切换的节奏把握得极好,每次读者感到理论阐述有些抽象时,作者总能及时地抛出一个具体的历史片段或当代案例作为锚点,让理论立刻有了血肉。我个人对其中关于“公共领域”的重塑分析印象最为深刻。作者似乎对哈贝马斯的理论进行了非常具有时代性的拓展,他认为在碎片化的社交媒体环境中,传统的公共领域正在瓦解,取而代之的是一系列快速生成又快速消散的“微型公共空间”。如何在这个新格局下确保理性辩论的质量,如何防止情绪化的动员压倒事实的核查,是作者着重探讨的难题。他的论证逻辑严密得像一座精心搭建的钟表,每一个齿轮的咬合都精准无误,但同时又充满了人性化的关怀,从未让人感到冰冷或疏远。这本书无疑是为那些渴望深度思考社会运作机制的读者准备的盛宴。
评分这本书的封面设计着实引人注目,那种沉稳又不失现代感的排版,让人一眼就能感受到内容的重量。我最初翻开它,是抱着对某个特定政治理论体系的好奇心,但很快,我就被作者构建的那个宏大而细腻的知识图景所吸引住了。它不像某些学术著作那样故作高深,而是以一种近乎叙事的方式,娓娓道来那些复杂概念的源起和演变。特别是关于公共理性建构的部分,作者并未简单地套用既有的西方范式,而是深入挖掘了不同文化背景下,人们是如何达成共识,又如何在多元诉求中寻求平衡的。书中对“参与式民主”的论述尤其发人深省,它不仅仅停留在理论模型的构建上,更是结合了大量的历史案例,展示了从基层社区到国家层面的实践困境与创新路径。读完这部分,我开始重新审视自己对“有效治理”的传统理解,意识到技术官僚式的解决方案往往会忽略掉民主的生命力——那种源自人与人之间真实互动的活力。作者的洞察力在于,他总能精准地捕捉到制度设计背后的伦理张力,使得即便是最枯燥的条文分析,也充满了思想的火花。
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