Vitamin 3-D: New Perspectives in Sculpture and Installation is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. This vast medium of sculpture continues to be a central pillar of artistic practice, and Vitamin 3-D presents the outstanding artists who are engaging with and pushing the boundaries of the medium.
Vitamin 3-D follows the success of Vitamin P: New Perspectives in Painting, Vitamin D: New Perspectives in Drawing and Vitamin Ph: New Perspectives in Photography, presenting a cross-generational survey of contemporary artists from 27 countries. Chosen from more than 500 nominations by significant international critics, curators, art historians and creative writers, Vitamin 3-D’s 117 established and emerging artists were selected on the basis that they have made a significant contribution to sculpture and installation (in their broadest sense) in the last five years.
Vitamin 3-D allows the reader to look at the medium in detail, to study sculpture’s unique properties in relation to itself, in relation to contemporary art and in relation to the world at large. An ongoing fascination with the key issues of modern sculpture, from the readymade to the specific object, today drives many artists to return to those issues again and again, with fresh and often surprising results.
In her evocative introductory essay for Vitamin 3-D, Anne Ellegood uses Rosalind Krauss’s landmark 1978 essay ‘Sculpture in the Expanded Field’ as the basis to explore the wildly inclusive breadth and depth of work that the term ‘sculpture’ can now be applied to within contemporary practice – and the key historical moments that serve as the precedents for what we now understand as both sculpture and installation.
Sculpture continues to strike out into new territory, harnessing the medium to confront today’s commodity world in its own materials or conjuring visionary new objects and environments like nothing seen before. Vitamin 3-D contributes to these international debates on contemporary sculpture and installation while providing an accessible overview and a concise reference book in an innovative design that embodies the materiality of its subject.
Nominators and Contributors: Nancy Adajania, Negar Azimi, Sarina Basta, Devrim Bayar, Kirsty Bell, Iwona Blazwick, Andrew Bonacina, Thomas Boutoux, Lindsay Brown, Adam Budak, Jon Bywater, Giovanni Carmine, Luca Cerizza, Carolyn Christov-Bakargiev, Tyler Coburn, Suzanne Cotter, Bice Curiger, Penelope Curtis, Trinie Dalton, Wouter Davidts, Lillian Davies, Diedrich Deiderichsen, Florence Derieux, Dominic Eichler, Anne Ellegood, Russell Ferguson, Richard Flood, Claire Gilman, Thelma Golden, Ann Goldstein, Isabelle Graw, Melissa Gronlund, Bruce Hainley, Kit Hammonds, Glen Helfand, Jens Hoffmann, Matthew Higgs, Laura Hoptman, Anthony Huberman, Ronald Jones, Geeta Kapur, Céline Kopp, Vasif Kortun, Miwon Kwon, Christy Lange, Sylvère Lotringer, Carol Yinghua Lu, Francesco Manacorda, Chus Martinez, Rosa Martinez, Tom McDonough, Charles Merewether, Domonic Molon, Shamim M. Momin, Tom Morton, Gerardo Mosquera, Neil Mullholland, Julian Myers, Bob Nickas, Hans Ulrich Obrist, Sally O’Reilly, Adriano Pedrosa, Emily Pethick, Jenelle Porter, Bert Rebhandl, Beatrix Ruf, Ralph Rugoff, Barry Schwabsky, Trevor Schoonmaker, Katy Siegal, Katie Sonnenborn, Beate Söntgen, Rochelle Steiner, Francesco Stocchi, Alina Tortosa, Lee Triming, Marc-Olivier Wahler, Gilda Williams, Rachel Withers
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读完这本书,我的第一反应是,这绝对不是一本可以“快速消费”的作品。它需要时间沉淀,需要反复咀嚼。作者的语言风格带着一种古典的韵味,句子往往很长,充满了复杂的从句和精妙的比喻,但奇怪的是,这种复杂性却并未损害其清晰度,反而增加了阅读的仪式感和深度。书中涉及的哲学思辨非常深刻,尤其是关于“存在与虚无”的探讨,他没有采取高高在上的理论姿态,而是通过一系列近乎寓言的故事来阐释复杂的概念,让抽象的理论变得触手可及。我尤其欣赏他对于“不完美之美”的赞颂,这与当下社会追求绝对效率和完美履历的主流价值观形成了强烈的对比。这本书的价值在于它提供了一种“慢下来的哲学”,告诉我们真正的收获往往藏在那些被我们匆忙略过的间隙之中。它更像是一部沉思录,而非一部情节小说,非常适合那些寻求内心宁静与智慧滋养的读者。
评分我必须承认,这本书的结构相当大胆,甚至可以说是有些反传统的。它没有一个清晰的线性叙事主轴,而是像一幅不断展开的、由无数碎片和意象拼贴而成的巨大挂毯。起初我有些迷茫,感觉自己像是在迷宫中摸索,但一旦抓住了作者埋设的几个关键的符号或主题,那种豁然开朗的感觉简直令人振奋。这种阅读体验是主动的,要求读者必须投入百分之百的专注力去构建自己的理解框架。其中关于“静默的力量”和“日常的仪式感”的论述,简直是现代生活的一剂清凉散。作者似乎拥有一种将最平凡事物赋予神圣光芒的魔力,他能捕捉到那些我们习以为常、却从未真正“看见”的瞬间的价值。这本书的排版和装帧设计也很有品味,每一页都像是精心设计的艺术品,让人爱不释手。如果说大部分书籍提供的是答案,那么这本书提供的是一系列更深刻、更复杂的问题,让你在合上书本之后,依然久久不能平静,思考良久。
评分这本书读起来有一种非常强烈的“现场感”,仿佛作者正坐在你的对面,用他那独特的、略带沙哑的声线,向你讲述他的所见所闻所感。他的观察视角非常独特,总能从极其微小的细节中,推导出关于社会运作和人类行为的宏大规律。比如,他对城市中光影变幻的描写,不仅仅是风景描写,更像是对现代人内心疏离状态的隐喻。这本书的节奏掌握得极为精妙,时而如急促的鼓点,充满了紧迫感和探索欲;时而又突然放缓,进入冥想般的沉思。我个人非常喜欢这种张弛有度的叙事节奏,它能有效避免读者产生阅读疲劳。此外,书中对“传承”和“遗忘”主题的处理,尤其让我动容。作者展现了一种对历史的敬畏,同时又不盲目崇拜过去,而是鼓励我们在继承传统的基础上进行创造性的突破。这本书与其说是阅读,不如说是一次与作者思想的深度对话。
评分这本书简直是精神食粮的典范,读完之后感觉整个人都被一种积极向上的能量充满了。作者的叙事风格极其流畅自然,仿佛是一位老友在娓娓道来他人生中最深刻的感悟。他对于人性的洞察力非常敏锐,笔下的人物形象鲜活立体,每一个转折和选择都让人感同身受。尤其欣赏的是,他并没有陷入说教的窠臼,而是通过精妙的故事结构和意想不到的细节,引导读者自己去挖掘深层的含义。书中对于时间、记忆与自我认同的探讨,虽然看似轻描淡写,实则后劲十足,每次回味都会有新的理解涌现。我特别喜欢其中关于“不确定性”的那一章节,那种坦然面对生活中的迷雾,并将之视为成长的养料的态度,极大地鼓舞了我。这本书的文字密度适中,既有诗意的描摹,又不失扎实的逻辑支撑,完全不会让人感到疲惫或晦涩难懂。它像一块温暖的鹅卵石,握在手中,能感受到一种持续而稳定的力量,非常适合在需要重新校准人生方向时翻阅。
评分如果用一个词来形容这本书的整体感受,那一定是“清澈”。作者的文字如同未经污染的山泉水,透明、纯净,直达问题的核心,不带一丝多余的矫饰。他对于“真诚”在人际关系和艺术创作中的重要性有着近乎偏执的强调,并用一系列无可辩驳的例子来支撑他的观点。这本书的论证结构非常严密,逻辑链条清晰可见,尽管讨论的主题涉及情感、艺术和信仰等非量化领域,但其说服力却不亚于一篇严谨的学术论文。它成功地架起了一座沟通的桥梁,连接了理性思考与直觉体验。更难得的是,尽管主题深刻,但语言却保持着令人愉悦的易读性,没有那些故作高深的术语和佶屈聱牙的表达。我感觉自己像是在一个技艺高超的工匠的作坊里,看着他如何将看似普通的材料,打磨、淬炼,最终成为一件具有永恒价值的作品。这本书是知识和美感的完美结合体。
评分依旧是拿各种艺术家的作品来搞,然后艺术家简介就真的是简介…另:我依旧不喜IVV齁,无论你们怎么跪舔…
评分还是很必要买的!
评分有好的有无聊的,科普书。
评分装置更新换代的很快,就不要再收入那些很年代的装置好么(我给三星会被打吧,给的四星,实际三星半
评分光是图
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