Geometry lies at the core of the architectural design process. It is omnipresent, from the initial form-finding stages to the actual construction. Modern constructive geometry provides a variety of tools for the efficient design, analysis, and manufacture of complex shapes. This results in new challenges for architecture. However, the architectural application also poses new problems to geometry. Architectural geometry is therefore an entire research area, currently emerging at the border between applied geometry and architecture. This book has been written as a textbook for students of architecture or industrial design. It comprises material at all levels, from the basics of geometric modeling to the cutting edge of research. During the architectural journey through geometry, topics typically reserved for a mathematically well-trained audience are addressed in an easily understandable way. These include central concepts on freeform curves and surfaces, differential geometry, kinematic geometry, mesh processing, digital reconstruction, and optimization of shapes. This book is also intended as a geometry consultant for architects, construction engineers, and industrial designers and as a source of inspiration for scientists interested in applications of geometry processing in architecture and art.
Helmut Pottmann is a professor of geometry at Vienna University of Technology, where he directs the research group Geometric Modeling and Industrial Geometry at the Institute of Discrete Mathematics and Geometry. He has held faculty positions at the University of Hamburg, University of Kaiserlautern, Purdue University, University of California at Davis, and Tsinghua University in Beijing. His most recent research focuses on the development of geometric methods and algorithmic tools for the design and manufacture of complex freeform structures in architecture. Michael Hofer is a post-doctoral researcher at Vienna University of Technology. He received his doctoral degree in Applied Geometry in 2005 and was employed at the University of California at Davis and the University of Minnesota. Since 200 he has regularly taught geometry to undergraduate and graduate students of architecture. His research focuses on the solution of geometric problems in applications such as computer-aided design, computer graphics, and image processing. Andreas Asperl studied Mathematics and Descriptive Geometry at Vienna University of Technology, where he has held a faculty position since 1983. He is also a teacher of geometry and CAD for a gymnasium in Vienna, author of several textbooks for use in Austrian schools at different levels, and a main promoter of the use of three-dimensional CAD systems in geometry education. Axel Kilian studied Architecture and specialized in Design and Computation for a Masters of Science, a Ph.D., and a post-doctorate at the Massachusetts Institute of Technology. He has been teaching workshops in computational design and design studios and has lectured on the topic of generative design widely at schools and in the context of the Smart Geometry group events.
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这本《光影交织的建筑叙事》简直是一场视觉与思想的盛宴。作者通过对光线在不同材料表面折射、反射的精妙捕捉,带领我们深入理解了建筑空间如何通过光影的动态变化来构建情感和叙事。书中收录的大量案例,从古老的石制结构到现代的玻璃幕墙,无一不展现了光影作为一种“无形材料”的强大表现力。我尤其欣赏其中关于“时间性”的探讨,即同一空间在一天中不同时刻呈现出的截然不同的氛围。阅读过程中,我仿佛能亲身感受到阳光穿过格栅投下斑驳光影的静谧,或是傍晚时分,人造光源如何勾勒出建筑的轮廓,赋予其新的生命。这本书不仅是技法上的参考,更是一种哲学的引导,启发读者思考建筑的本质是如何与环境、与人的感知发生深刻的交互作用。它超越了单纯的结构讨论,直抵建筑艺术的核心。
评分近来拜读的《在地性与建筑的回归》一书,观点独到且极具现实关怀。它深入探讨了在全球化浪潮下,建筑如何抵抗同质化、寻回其与特定地理、气候和本土文化之间的深刻联结。书中对气候适应性设计的案例分析细致入微,比如如何利用地域性的植被、水文特征来调节微气候,这些都是现代建筑常常忽略的宝贵遗产。作者强调的“慢设计”理念,反对急功近利的快速迭代,主张让建筑的生长与环境的节奏保持一致。这使得我开始重新审视那些看似“落后”的传统建造方式,意识到其中蕴含着高度优化的环境解决方案。这本书不仅是一本建筑理论著作,更像是一份对可持续未来生活的行动呼吁,引人深思,让人脚踏实地地去关注我们脚下的土地。
评分如果说建筑是凝固的音乐,那么《结构美学:力与形式的共舞》就是对这场交响乐的精妙谱曲解读。这本书令人耳目一新,它没有沉溺于复杂的数学推导,而是将结构逻辑本身提升到了艺术的高度。作者以极富激情的笔触,阐释了如何将承重体系——无论是拱、券、梁还是悬挑——内化为建筑最纯粹的表达。他展示了为什么某些结构形式在视觉上具有无可比拟的说服力。我印象最深的是关于“张拉整体结构”的章节,那种看似脆弱却坚不可摧的平衡感,简直是工程智慧的极致展现。这本书读起来酣畅淋漓,它让“力学”不再是冰冷的计算,而成为建筑师手中塑造宏伟形态的画笔。它激发了我对每一个支撑点、每一个节点背后逻辑的强烈好奇心。
评分我最近翻阅的这本《材料的低语:结构与表皮的对话》,着实让我对建筑的物质性有了全新的认识。它并非一本枯燥的材料手册,而是将每一种建筑材料——无论是粗粝的混凝土、温润的木材,还是冰冷的钢材——都视为拥有自己“语言”的个体。作者非常擅长描绘材料在时间侵蚀下产生的自然美感,例如青铜的锈蚀、石材的磨损,这些“不完美”如何成为建筑历史的注脚。书中对不同地域传统工艺的梳理也令人印象深刻,它强调了材料选择背后的文化逻辑和生态智慧,远非现代工业化生产可以完全取代。读完后,我再看任何一座建筑时,都会不由自主地去触摸它的墙面,去聆听那沉默的材料在诉说着什么。这是一本需要慢品、细嚼的佳作,它教会我们尊重物质的本性。
评分《城市肌理与空间序列的解构》这本书,对我而言,是一次对城市尺度感知的颠覆性重塑。它跳脱出宏大叙事的框架,聚焦于人们在步行尺度下对空间序列的实际体验。作者巧妙地运用透视学原理和人行动线分析,拆解了复杂城市环境中的视觉焦点、转折点以及开放与封闭空间的韵律。我特别喜欢其中关于“阈限空间”的讨论,那些界于室内与室外、私人与公共之间的模糊地带,正是城市生命力最集中的体现。书中大量的城市剖面图和流线分析图,直观地展现了空间如何引导、限制甚至解放人的行为。对于任何致力于城市设计或公共空间营造的人来说,这本书都是不可多得的指引,它提醒我们,最好的建筑是那些不引人注目却能让人感到舒适、自如的空间网络。
评分从数学层面解释在建筑业会用到的几何体,如何生成,如何控制。对Rhino等以算法为主的建模工具有理论指导意义。
评分建筑数学宝典
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评分从数学层面解释在建筑业会用到的几何体,如何生成,如何控制。对Rhino等以算法为主的建模工具有理论指导意义。
评分入门工具书
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