In 1955, Henri Cartier-Bresson published "The Europeans", a portrait of the continent documenting a landscape shadowed by the war. In this book, the photographer brings together images spanning the years from the late 1920s to the early 1970s. He has travelled across Europe, from the Scandinavian shield to the Irish bogs, in order to capture what it means to be European. Beyond nationalism and the particular characteristics of each culture and nation, he has found evidence of a greater identity, a likeness shared by the people and the landscape. His photographs seek to speak of the same daily ceremony, of the ongoing business of living for people across Europe, whether Polish priests in alb or cassock, or Abruzzi peasants shrouded in the black of their cloaks and hats.
評分
評分
評分
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要時常翻
评分不懂捏
评分應該是個有趣的老頭
评分豆瓣沒找到同一版本,讀的是Propos De Paris
评分最好的布列鬆。絕不是簡單的紀實攝影,而帶著對風物的理解與對光影之美的最佳捧握。
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