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Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.

Johann Gottfried Herder (1744–1803) was a theologian, philosopher, ethnographer, and historian of the late Enlightenment, whose writings on music have been widely influential during the two centuries since his death.

Philip V. Bohlman is Ludwig Rosenberger Distinguished Service Professor of Music and the Humanities at the University of Chicago, where he is also Artistic Director of the ensemble-in-residence, The New Budapest Orpheum Society.

Prologue
Part I. The Ontology Project
1. Folk Song at the Beginnings of National History
Philip V. Bohlman
From Alte Volkslieder / Ancient Folk Songs
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
2. The Folk Song Project at the Confluence of Music and Nationalism
Philip V. Bohlman
From Volkslieder and Stimmen der Völker in Liedern / Folk Songs and Voices of the People in Song
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
3. Singing the Sacred Body
Philip V. Bohlman
From Lieder der Liebe: Die ältesten und schönsten aus Morgenlande / Songs of Love: The Oldest and Most Beautiful from the Orient
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
Part II. The History Project
4. The Nation and Its Fragments
Philip V. Bohlman
From “Briefwechsel über Ossian und die Lieder alter Völker” / “Correspondence about Ossian and the Songs of Ancient Peoples”
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
5. Songs of the Enlightenment Bard
Philip V. Bohlman
“Homer und Ossian” / “Homer and Ossian”
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
6. Redemption through Sacred Song
Philip V. Bohlman
Letter 46, Theologische Schriften / Theological Writings
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
Part III. The Nation Project
7. The Shores of Modernity
Philip V. Bohlman
From “Wirkung der Dichtkunst auf die Sitten neuerer Zeiten” / “The Influence of Poetry on the Customs of Modernity”
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
8. The Epic as Nation
Philip V. Bohlman
From Der Cid / The Cid
Johann Gottfried Herder, TRANSLATED BY Philip V. Bohlman
9. Music Transcendent and Sublime
Philip V. Bohlman
“Von Musik” / “On Music”
Johann Gottfried Herder, Translated BY Philip V. Bohlman
Epilogue
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