Journey by Moonlight

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Antal Szerb was born in 1901 into a cultivated Budapest family of Jewish descent. Graduating in German and English, he rapidly established himself as a prolific scholar, publishing books on drama and poetry, studies of Ibsen and Blake, and histories of English, Hungarian and world literature. His first novel, The Pendragon Legend, was writtenin 1934. Journey by Moonlight appeared in 1937, followed in 1943 by The Queen's Necklace and various volumes of novellas. He died in a forced-labour camp at Balf in January 1945.

出版者:Pushkin Press
作者:Antal Szerb
出品人:
页数:240
译者:Len Rix
出版时间:2001-1-1
价格:USD 12.95
装帧:Paperback
isbn号码:9781901285505
丛书系列:
图书标签:
  • 匈牙利 
  • 游记 
  • 意大利 
  • 文学 
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Anxious to please his bourgeois father, Mihaly has joined the family firm in Budapest. Pursued by nostalgia for his bohemian youth, he seeks escape in marriage to Erzsi, not realising that she has chosen him as a means to her own rebellion. On their honeymoon in Italy, Mihaly 'loses' his bride at a provincial station and embarks on a chaotic and bizarre journey that leads him finally to Rome. There all the death-haunted and erotic elements of his past converge, and he, like Erzsi, has finally to make a choice.

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《月光下的旅人》出现佩鲁贾字眼的时候,过往的思绪浮现在了眼前。 小学的的某个夏夜,漆黑的天空寂静无月。电视里的佩鲁贾雨夜,尤文图斯丢掉了联赛冠军。那一夜,刚上路的少年第一次懵懂体会到了支持与失望的关系。更久以后才明白,那个雨夜有些东西超越了足球的界限。尤文球...  

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莫里斯·马丁·杜加尔曾评价让·科克托在《可怕的孩子》终幕献给读者的是“文学中最美的自杀之一”,这死亡继承了莎士比亚那史诗般的美感,在武器与毒药各自所代表的命运与偶然中,走向离别的终极悖论。当孩子们的灵魂相拥着进入悲剧天国,死亡被赋予了一种近乎神迹的色彩。 长...

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"the ideals that would only be catastrophic for a successful life. Nevertheless, it's joy that success would never bring."

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Negating who yourself truly are is a futile attempt. People tangled in their past would either go to an end or back to where they were. 翻译五星好评

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Negating who yourself truly are is a futile attempt. People tangled in their past would either go to an end or back to where they were. 翻译五星好评

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"the ideals that would only be catastrophic for a successful life. Nevertheless, it's joy that success would never bring."

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"Like the rats among the ruins, but nonetheless alive" 结尾有点牵强。中欧文学探讨爱情死亡和生活的标准叙述模式。中间关于死亡和性的analogy太迷人了。

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