Freud was fascinated by the mysteries of creativity and the imagination. The groundbreaking works that comprise The Uncanny present some of his most influential explorations of the mind. In these pieces Freud investigates the vivid but seemingly trivial childhood memories that often "screen" deeply uncomfortable desires; the links between literature and daydreaming; and our intensely mixed feelings about things we experience as "uncanny." Also included is Freud's celebrated study of Leonardo Da Vinci-his first exercise in psychobiography.
具体描述
读后感
Screen memories 1. (possibly) suppresses what is significant, retains what is of no consequence 2. owes its value as a memory not to its intrinsic content, but to the relation obtaining between this content and some other, which has been suppressed 3. Scree...
评分Screen memories 1. (possibly) suppresses what is significant, retains what is of no consequence 2. owes its value as a memory not to its intrinsic content, but to the relation obtaining between this content and some other, which has been suppressed 3. Scree...
评分1986年由中国展望出版社出版的、孙恺祥译的《弗洛伊德论创造力与无意识》在第123-162页收录了本文译稿，标题为《论“令人害怕的”东西》。原书pdf已上传百度云： [https://pan.baidu.com/s/1pu02eQMPg6uj9v07GZxjDw] ，提取码为： ifjh 。网站“心理学空间”亦有收录译稿，链接...
评分Screen memories 1. (possibly) suppresses what is significant, retains what is of no consequence 2. owes its value as a memory not to its intrinsic content, but to the relation obtaining between this content and some other, which has been suppressed 3. Scree...
评分Screen memories 1. (possibly) suppresses what is significant, retains what is of no consequence 2. owes its value as a memory not to its intrinsic content, but to the relation obtaining between this content and some other, which has been suppressed 3. Scree...
用户评价
首先梳理了unheimlich和heimlich的语义，认为二者殊途同归，暗示了前缀“un”是一种压抑的表征。批驳uncanny的来源仅限于“不确定性”的观点，还包括有灵论、魔法、巫术、思想全能、人类对死亡的态度、强制性重复、the dread of the evil eye乃至阉割症结。uncanny还产生于想象与现实的边界消弭之际，以及对女性阴部的“乡愁”。区分现实与文艺中的uncanny，前者可下分为infantile complex中被压抑部分的重返，以及某些原始信仰一度被文明人克服，但在现实中重现，引发其自我怀疑，从而证实了先前被推翻的信仰的合理性；后者暗含一吊诡，也即现实中uncanny的事物在虚构中并不尽然如此，而虚构作者的生花妙笔足以制造出比现实丰富得多的uncanny效果。
评分还蛮多电影都运用到了uncanny这个概念的（闪灵，鬼妈妈，解除好友），我们最大恐惧不是来自于未知而是来自于已知，似曾相似却又想不起来，毛骨悚然的熟悉感。不过弗洛伊德的文章实在晦涩……还没中文翻译，去年用英文看的时候真是要了我的狗命，写论文不容易啊…
评分木偶还魂记之类的惊悚片其实就是一种das unheimliche，突然还想起以前读过的劳伦斯的木马赢家...那种奇怪的echo不断成为一种involuntary repetition...林奇的穆赫兰道就是一种uncertainty，dream和reality被模糊，the return of the repressed and the surmounted。。。theory真是一种see a view啊....困惑的是，弗洛伊德对于这些概念的解释都很像，难道都能类比么...至少根据他的解释，narcissism, the uncanny, hysteria, melancholia这些都有结构上的相似...
评分还蛮多电影都运用到了uncanny这个概念的（闪灵，鬼妈妈，解除好友），我们最大恐惧不是来自于未知而是来自于已知，似曾相似却又想不起来，毛骨悚然的熟悉感。不过弗洛伊德的文章实在晦涩……还没中文翻译，去年用英文看的时候真是要了我的狗命，写论文不容易啊…
评分"unheimlich" in itself is "heimlich"
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