This is a look at the principles of art history. Working from the thesis that modernity is the culture that invented what art is, the author by means of the pictorial essay offers a cultural critique of the contemporary circumstances that have influenced our notions of what art actually is, how we attempt to value it, how we have come to make a business of it. Like film, photography and other forms of mass culture, the author studies how popular taste influences the aesthetic criteria that determine its worth.
从图书馆拿起这本书的原因是图片够多,文字够简单。可见我不愿动脑到何等地步。 简而言之,本书的目的在于普及’艺术’知识。此’艺术’,并非我想象中的艺术,艺术作为一个现代名词,十八世纪才被发明定义:Art, an orginal creation, produced by an individual gifted with...
评分从图书馆拿起这本书的原因是图片够多,文字够简单。可见我不愿动脑到何等地步。 简而言之,本书的目的在于普及’艺术’知识。此’艺术’,并非我想象中的艺术,艺术作为一个现代名词,十八世纪才被发明定义:Art, an orginal creation, produced by an individual gifted with...
评分从图书馆拿起这本书的原因是图片够多,文字够简单。可见我不愿动脑到何等地步。 简而言之,本书的目的在于普及’艺术’知识。此’艺术’,并非我想象中的艺术,艺术作为一个现代名词,十八世纪才被发明定义:Art, an orginal creation, produced by an individual gifted with...
评分这是一本颠覆了我对艺术的理解的一本书, 也是对所有普通人对艺术是偏见或者是理解很不全面的人,认为艺术很高离人们很远的人们,认为好的艺术只是画的越真越好的人,认为抽象的艺术很垃圾的人们,这本书会完全改变你的看法。
评分从图书馆拿起这本书的原因是图片够多,文字够简单。可见我不愿动脑到何等地步。 简而言之,本书的目的在于普及’艺术’知识。此’艺术’,并非我想象中的艺术,艺术作为一个现代名词,十八世纪才被发明定义:Art, an orginal creation, produced by an individual gifted with...
①适合非专业背景阅读,兼有浅白,洞见和文字的感染力(祖国这种书真的较少)②文字图片排版都在合力为中心思想服务(本来是书的应有之义,可惜能达到这个标准的较少)
评分This book overturns the common perception of art by foregrounding the modernity of the idea of art: the patriarchal stereotype and the challenge to it, the importance of originality, and the emphasis on originality – as opposed to the adherence to religion or monarchy of many distinguished figures in the history of art.
评分①适合非专业背景阅读,兼有浅白,洞见和文字的感染力(祖国这种书真的较少)②文字图片排版都在合力为中心思想服务(本来是书的应有之义,可惜能达到这个标准的较少)
评分①适合非专业背景阅读,兼有浅白,洞见和文字的感染力(祖国这种书真的较少)②文字图片排版都在合力为中心思想服务(本来是书的应有之义,可惜能达到这个标准的较少)
评分This book overturns the common perception of art by foregrounding the modernity of the idea of art: the patriarchal stereotype and the challenge to it, the importance of originality, and the emphasis on originality – as opposed to the adherence to religion or monarchy of many distinguished figures in the history of art.
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