DAVID HERBERT LAWRENCE was born September 11, 1885 in Eastwood, Nottinghamshire. His father was a miner and his mother was a schoolteacher. In 1906 he took up a scholarship at Nottingham University to study to be a teacher. His first novel, The White Peacock, was published in 1911. Lawrence gave up teaching in 1911 due to illness. In 1912 he met and fell in love with a married woman, Frieda Weekley, and they eloped to Germany together. They were married in 1914 and spent the rest of their lives together travelling around the world. In 1915 Lawrence published The Rainbow which was banned in Great Britain for obscenity. Women in Love continues the story of the Brangwen family begun in The Rainbow and was finished by Lawrence in 1916 but not published until 1920. Another of Lawrence's most famous works, Lady Chatterley's Lover, was privately printed in Florence in 1928 but was not published in Britain until 1960, when it was the subject of an unsuccessful court case brought against it for obscenity. As well as novels, Lawrence also wrote in a variety of other genres and his poetry, criticism and travel books remain highly regarded. He was also a keen painter. D.H. Lawrence died in France on March 2, 1930.
The struggle for power at the heart of a family in conflict, the mysteries of sexual initiation, and the pain of irretrievable loss are the universal motifs with which D. H. Lawrence fashions one of the world’s most original autobiographical novels.
Gertrude Morel is a refined woman who married beneath her and has come to loathe her brutal, working-class husband. She focuses her passion instead on her two sons, who return her love and despise their father. Trouble begins when Paul Morel, a budding artist, falls in love with a young woman who seems capable of rivaling his mother for possession of his soul. In the ensuing battle, he finds his path to adulthood tragically impeded by the enduring power of his mother’s grasp. Published on the eve of World War I, SONS AND LOVERS confirmed Lawrence’s genius and inaugurated the controversy over his explicit writing about sexuality and human relationships that would follow him to the end of his career.
爱即生活 第一,这是一本难得一见的纯粹关于爱的小说,并且专指男女之爱(如果母爱也算是一种的话)。第二,小说主要讲的是爱的付出,是无条件且不计回报的爱,而不是交互的爱。第三,看似作为故事中心的保罗并不是主人公,而是母亲、米莉安和克莱拉,因为她们才是爱的主动方。...
評分他喜欢画画,喜欢晚上和母亲呆在家里,不时抬起头看着母亲那和颜悦色的脸,嘴角便会泛出一丝微笑,低下头继续作画。只要母亲坐在她的身旁,他就能竭力把画画好,她仿佛也感觉如此,心里喜的发颤,她做活或看书一连几个小时不动,隐约知道他在埋头工作。他则激情满腔地挥动...
評分it hurt the boy keenly,this feeling about her that she had never had her life's fulfillment ,and his own incapability to make up to her hurt him with a sense of impotence,yet made him patiently dogged inside.it was his childish dream. ...
評分我不知道该给这本书多高的赞誉。从本书中可以看出作者的转变——无论介乎心境还是写作手法。它理应算是一部传统文学,但是在细节以及心灵的把握上却有独到之处。首先我必须说,这本小说的内容并非它的名字那般危言耸听,与恋母情结也没有太多的契合之处。我不赞成心理学在各个...
評分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
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