DAVID HERBERT LAWRENCE was born September 11, 1885 in Eastwood, Nottinghamshire. His father was a miner and his mother was a schoolteacher. In 1906 he took up a scholarship at Nottingham University to study to be a teacher. His first novel, The White Peacock, was published in 1911. Lawrence gave up teaching in 1911 due to illness. In 1912 he met and fell in love with a married woman, Frieda Weekley, and they eloped to Germany together. They were married in 1914 and spent the rest of their lives together travelling around the world. In 1915 Lawrence published The Rainbow which was banned in Great Britain for obscenity. Women in Love continues the story of the Brangwen family begun in The Rainbow and was finished by Lawrence in 1916 but not published until 1920. Another of Lawrence's most famous works, Lady Chatterley's Lover, was privately printed in Florence in 1928 but was not published in Britain until 1960, when it was the subject of an unsuccessful court case brought against it for obscenity. As well as novels, Lawrence also wrote in a variety of other genres and his poetry, criticism and travel books remain highly regarded. He was also a keen painter. D.H. Lawrence died in France on March 2, 1930.
The struggle for power at the heart of a family in conflict, the mysteries of sexual initiation, and the pain of irretrievable loss are the universal motifs with which D. H. Lawrence fashions one of the world’s most original autobiographical novels.
Gertrude Morel is a refined woman who married beneath her and has come to loathe her brutal, working-class husband. She focuses her passion instead on her two sons, who return her love and despise their father. Trouble begins when Paul Morel, a budding artist, falls in love with a young woman who seems capable of rivaling his mother for possession of his soul. In the ensuing battle, he finds his path to adulthood tragically impeded by the enduring power of his mother’s grasp. Published on the eve of World War I, SONS AND LOVERS confirmed Lawrence’s genius and inaugurated the controversy over his explicit writing about sexuality and human relationships that would follow him to the end of his career.
DH劳伦斯写给加尼特的信里说:当儿子长大起来时,她们的母亲就挑选她们作为情人。首先是最大的儿子,然后是次子。这是儿子们由于与母亲之间的爱推动,儿来到人世。而且一直受到这种力量的推动。然而当他们长大成人时他们却失去了恋爱的能力。因为母亲作为他们生活中最强大的力...
評分在我的阅读经验里,小说可以有两种“深刻”:其一,壮阔、宏大、繁复,如《悲惨世界》和《百年孤独》;另一种,在小范围的时空里,在平凡人的身上,发掘出深刻的独特的意义,如福克纳,如劳伦斯。有些人向外扩展,有些人内省以寻找,两种都可以做得卓越——人心同样是一个深不...
評分二十世纪初最受争议的,被誉为情色小说之父的D.H.劳伦斯(1885-1930)的第一部带有自传式的小说《儿子与情人》,向我们展示了他自己过去的影子,讲述了莫瑞尔太太把自己身上涌动的激情倾注到了自己儿子(保罗)身上,获取因婚姻缺陷而得不到的爱情感觉.这种特殊的甚至可以说畸形的...
評分儿子保罗的成长是在一位苦难母亲极端的个人占有欲中蜕化的结果,母亲用爱夺走了儿子成长中的精神和肉体对象,儿子在母亲死后也被母亲的意志包裹在“沉寂中,包罗在天然的幽冥之中”,完成了自我的觉醒,这是一部在分裂意识酝酿下产生的人格完善的黑色喜剧。保罗的成长是一个渐...
評分他们也是经过相识、然后相恋,最后结婚了。 可是只是经过短短的一年时间,两个人的感情就出现了问题。她发现了他其实并不适合他。事实上,他们两个人应该是两个世界的人,完全没有什么共同点的。应该说可能真的是应了那句话,叫做“相爱容易,相处难”。相互的欣赏...
我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾經在很多不恰當的時候讀瞭不恰當的書。可是這一本,卻是我在正恰當的時候讀到的正恰當的... Ah, the pieces of one self, the many forms of love. PS.看瞭一些相關文字後覺得在這個自傳性的小說裏其實L把自己和其他人,刻畫地太過殘忍瞭一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
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