Nausea pdf epub mobi txt 电子书 下载 2025
- 存在主义
- JeanPaulSartre
- Sartre
- Existentialism
- 哲学
- 萨特
- 法国文学
- 法国
- 哲学
- 存在主义
- 荒诞
- 意识
- 孤独
- 现代主义
- 文学
- 反思
- 虚无
- 自我
具体描述
The classic Existentialist novel, with a newintroduction by renowned poet, translator, and critic Richard Howard.
Winner of the 1964 Nobel Prize for Literature, Jean-Paul Sartre, French philosopher, critic, novelist, and dramatist, holds a position of singular eminence in the world of letters. Among readers and critics familiar with the whole of Sartre's work, it is generally recognized that his earliest novel, La Nausée (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the twentieth century and a landmark in Existentialist fiction.
Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spreads at the bottom of the viscous puddle, at the bottom of our time—the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to come to terms with life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize the tenets of his Existentialist creed.
作者简介
让-保罗・萨特是20世纪法国最伟大的思想家之一，存在主义的鼻祖。1905年出生于法国巴黎一个海军军官的家庭，1924年，以优异成绩考人巴黎高等师范学院，专攻哲学。二战结束后不久，萨特和梅洛・庞蒂、阿隆、波伏娃创办了《现代》杂志，这份杂志成为存在主义的重要论坛。从此，萨特辞去教职，成为一位职业作家，活跃在法国和世界政治、文化舞台上，直到1980年逝世。
目录信息
读后感
20世纪有三位存在主义哲学大师：海德格尔、萨特和加缪。海德格尔是存在主义的先驱，萨特和加缪是存在主义的主要代表人物。 加缪的《局外人》长期在畅销书榜占有一席之地，《鼠疫》的知名度也不低，相比之下，萨特的代表作《恶心》的传播度要差的多，在各大图书网站上都难觅其踪...
评分 评分洛根丁的冒险：恶心是显露自身的存在——而存在看来不是很舒适的。生活从来就不是容易的事。人们不断地做出存在所要求的举动，而做这些举动的原因之一就是：习惯。洛根丁实际上跳出了人们日常生活的习惯，跳出了人们日常对事物的思考习惯。当他脱离惯常的文化思想开始观...
评分“恋爱者不想像人们占有一个物件那样占有被爱者；他祈求一种特殊类型的化归己有。他想占有一个作为自由的自由。”
评分萨特的《恶心》我是近期才读到的，小说写的哲学意味十足，使我这个对哲学没什么研究的门外汉也看的津津有味，因为小说里面的悲伤和颓废气息深深地吸引着我。有时候经典名著真的不用过多的说些什么，书本身才能说明一切，我只能说，如果你立志想要从事文艺工作，请看萨特的《恶...
用户评价
Very difficult to read. In the end, the Nausea is nothing else than his anxiety of an unacknowledged existence. After all, if you live alone by yourself, what is there to prove that you exist at all?
评分初读：所谓恶心是一种醒悟。存在太过沉重了以致于我们将其从一种状态物理化，这是本不属于感官的概念，所以造成了一种难以言述的荒诞感。这种荒诞感中还有一层无奈，在一个如此沉重又具象的概念面前，我们强制性地被其拷问，由运动到静止。这种令人不安的静止又或是我们开始失去对于行径方向的控制。这像是一个觉者的开端，抛出了一个核心的问题却又不知所措。结尾试探性地提出了一个解决方案，所以通过艺术我们的存在可以得到升华吗，我觉得它并没有说服自己。在字里行间我常常丢失了存在的意思，反而是安妮和自学的人让我着迷。对于恶心的视觉化也精彩极了，一块布化作肉的横切面，舌头变成昆虫。
评分12.2018 / 11.2017 But a time would have to come when the book would be written, would be behind me, and I think that a little of its light would fall over my past. Then, through it, I might be able to recall my life without repugnance.
评分就是很文艺地坐在树下看看书，偶尔眼圈红一红。至少相信自己的存在吧。在漫长的存在中这唯一一次的生命，
评分Very difficult to read. In the end, the Nausea is nothing else than his anxiety of an unacknowledged existence. After all, if you live alone by yourself, what is there to prove that you exist at all?
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