图书标签: 媒介 Friedrich_Kittler 文化研究 媒介研究 基特勒 Kittler 理论 philosophy_of_science
发表于2024-12-23
Gramophone, Film, Typewriter pdf epub mobi txt 电子书 下载 2024
Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers. Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these media--including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators--"Gramophone, Film, Typewriter" analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines. "Gramophone, Film, Typewriter" is, among other things, a continuation as well as a detailed elaboration of the second part of the author's "Discourse Networks, 1800/1900" (Stanford, 1990). As such, it bridges the gap between Kittler's discourse analysis of the 1980's and his increasingly computer-oriented work of the 1990's.
弗里德里希·基特勒(Friedrich A.Kittler,1943—2011),德国柏林洪堡大学美学与文化研究学院教授,耶鲁大学特聘学者,哥伦比亚大学特聘访问教授,继麦克卢汉之后最重要的媒体理论家之一,被誉为“数字时代的德里达”。代表作有《话语网络1800/1900》《留声机 电影 打字机》等。
邢春丽,北京航空航天大学外国语学院副教授,清华大学英语语言文学博士。2008—2009学年美国加利福尼亚大学伯克利分校访问学者,2015—2016学年澳大利亚新南威尔士大学访问学者。
跟双子座叙旧提起这本,只看了电影部分。三星吧。
评分Kittler is too obsessed with Lacanian analaysis
评分当故事书来看超过瘾啊!!!读到45页的时候就想到了《魔山》,结果果然在174页的时候等到了。激动得怒打五星。
评分占个坑
评分当故事书来看超过瘾啊!!!读到45页的时候就想到了《魔山》,结果果然在174页的时候等到了。激动得怒打五星。
没有一一对照英文版,只是简单查了一下阅读时的几处疑惑。 前言: p3 “仅仅借助知识我们就可以…”原文:simple knowledge will do“借助简单知识我们就可以…” p3“但是,不管蓝图和图表……人所能留下的就是媒体储存和交换的信息”一句翻译得有些混乱,其中将body翻译成了...
评分没有一一对照英文版,只是简单查了一下阅读时的几处疑惑。 前言: p3 “仅仅借助知识我们就可以…”原文:simple knowledge will do“借助简单知识我们就可以…” p3“但是,不管蓝图和图表……人所能留下的就是媒体储存和交换的信息”一句翻译得有些混乱,其中将body翻译成了...
评分搞不懂为什么会出现这种情况,第二章“留声机”部分,从第93个注释开始,后面所有的尾注都错了,都往后顺了一位。。。。 原文中第93个注释(“《科学美国》立刻刊载了题为《神奇的发明——可以从自动记录中无限重放的演讲》[93]”),对应的应该是书后尾注的“[94]:SCIENTIFIC...
评分没有一一对照英文版,只是简单查了一下阅读时的几处疑惑。 前言: p3 “仅仅借助知识我们就可以…”原文:simple knowledge will do“借助简单知识我们就可以…” p3“但是,不管蓝图和图表……人所能留下的就是媒体储存和交换的信息”一句翻译得有些混乱,其中将body翻译成了...
评分搞不懂为什么会出现这种情况,第二章“留声机”部分,从第93个注释开始,后面所有的尾注都错了,都往后顺了一位。。。。 原文中第93个注释(“《科学美国》立刻刊载了题为《神奇的发明——可以从自动记录中无限重放的演讲》[93]”),对应的应该是书后尾注的“[94]:SCIENTIFIC...
Gramophone, Film, Typewriter pdf epub mobi txt 电子书 下载 2024