The Virgin Mary and Catholic Identities in Chinese History pdf epub mobi txt 電子書下載2025

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出版者:Hong Kong University Press

作者:Jeremy Clarke

出品人:

頁數:312

译者:

出版時間:2013-11-22

價格:USD 55.00

裝幀:Hardcover

isbn號碼:9789888139996

叢書系列:

圖書標籤:

海外中國研究
宗教
香港大學齣版社
天主教
基督教在中國
基督教
天主教
中國曆史
瑪利亞
宗教認同
文化史
性彆研究
社會史
基督教
近代中國
視覺文化

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具體描述

The Chinese Catholic Church traces its living roots back to the late sixteenth century and its historical roots back even further, to the Yuan dynasty. This book explores paintings and sculptures of the Virgin Mary over several centuries and the communities that produced them. It argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary at different times and in different places absorbed and in turn influenced representations of Chinese figures from Guanyin to the Empress Dowager. At other times, indigenous styles have been diluted by Western influences. As a study of the social and cultural histories of communities that have survived over many centuries, this book offers a new view of Catholicism in China—one that sees its history as more than simply a cycle of persecution and resistance.

著者簡介

Jeremy Clarke is an assistant professor of history at Boston College.

圖書目錄

List of illustrations ix
Acknowledgements xi
Introduction: Chinese Catholic identities in the modern period 1
Part 1 Images of Mary in China before 1842
1. Chinese Christian art during the pre-modern period 15
Katerina Ilioni of Yangzhou 21
Madonna and Guanyin 24
Marian images during the late Ming dynasty 31
The Madonna in Master Cheng’s Ink Garden 37
Marian sodalities 40
João da Rocha and the rosary 42
Part 2 The Chinese Catholic Church since 1842
2. Aer the treaties 51
French Marian devotions 57
The effects of the Chinese Rites Controversy 60
A sense of cultural superiority 69
The inuence of Marian events in Europe 74
3. Our Lady of Donglu 83
Visual inuences on the Donglu portrait 89
Photographs of Cixi 95
Liu Bizhen’s painting 100
4. The rise and fall of the French protectorate 111
Benedict XV and Maximum Illud 118
Shanghai Plenary Council, 1924 125
Synodal Commission 132
Part 3 Images of Mary in the early twentieth century
5. The Furen art department 143
The creation of the Catholic University of Peking 149
The emergence of Chinese Christian art 152
Celso Costantini and Luke Chen Yuandu 162
6. The Chinese dimension to the Furen Christian art 175
Art as a catechetical tool 184
Marian paintings 189
Sheshan Shengmu 191
Conclusion 195
Notes 201
Bibliography 249
Index 265
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