In this new collection of her provocative essays on Third World art and culture, award-winning filmmaker and theorist Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, Trinh examines Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology. When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. Feminist struggle is heterogeneous. The multiply hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh Minh-ha argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to beat the master at his own game.'
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a work is never finished, the author doesn't have mastery over the work; question the dichotomy of objective, universal outsider and the informative, subjective insider - the Inappropriate Other; becoming instead of being; hyphenated identities; commodity of humanism
评分a work is never finished, the author doesn't have mastery over the work; question the dichotomy of objective, universal outsider and the informative, subjective insider - the Inappropriate Other; becoming instead of being; hyphenated identities; commodity of humanism
评分trinh Minh-ha 太厲害！
评分trinh Minh-ha 太厲害！
评分a work is never finished, the author doesn't have mastery over the work; question the dichotomy of objective, universal outsider and the informative, subjective insider - the Inappropriate Other; becoming instead of being; hyphenated identities; commodity of humanism
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