Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration - a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.
Nadezhda Yakovlevna Mandelstam (Russian: Надежда Яковлевна Мандельштам, née Hazin; 31 October 1899 – 29 December 1980) was a Russian writer and a wife of poet Osip Mandelstam.
Born in Saratov into a middle-class Jewish family, she spent her early years in Kiev. After the gymnasium she studied art.
After their marriage in 1921, Nadezhda and Osip Mandelstam lived in Ukraine, Petrograd, Moscow, and Georgia. Osip was arrested in 1934 for his Stalin Epigram and exiled with Nadezhda to Cherdyn, in the Perm region and later to Voronezh.
After Osip Mandelstam's second arrest and his subsequent death at a transit camp "Vtoraya Rechka" near Vladivostok in 1938, Nadezhda Mandelstam led an almost nomadic way of life, dodging her expected arrest and frequently changing places of residence and temporary jobs. On at least one occasion, in Kalinin, the NKVD came for her the next day after she fled.
As her mission in life, she set to preserve and publish her husband's poetic heritage. She managed to keep most of it memorized because she did not trust paper.
After the death of Stalin, Nadezhda Mandelstam completed her dissertation (1956) and some years after was allowed to return to Moscow (1964).
In her memoirs, Hope Against Hope and Hope Abandoned, first published in the West, she gives an epic analysis of her life and criticizes the moral and cultural degradation of the Soviet Union of the 1920s and later. The titles of her memoirs are puns, Nadezhda in Russian meaning "hope".
In 1976 she gave her archives to Princeton University. Nadezhda Mandelstam died in 1980 in Moscow, aged 81.
醉虾是怎样制成的?——读《曼德施塔姆夫人回忆录》 江弱水 细沙似的恐怖。黑橡胶似的寂静。契卡人员头脑中一管无形手枪的不测风云。眼睛那受惊的漩涡。心脏承受不了的重负。身体稍一用力就会感到疲惫,连说话和散步都觉得累。耳朵警觉地朝向门口停下来的汽车和夜间启动...
评分《读药》第112期:白银悲歌——走进《曼德施塔姆夫人回忆录》 专题地址http://book.ifeng.com/shupingzhoukan/special/duyao112/ 白银悲歌——评《曼德施塔姆夫人回忆录》 文/黎戈(作家) 凤凰网读书频道《读药》周刊独家专稿,如无授权,请勿转载。 对这本回忆录期待已...
评分 评分都读这样的书,感到浑身寒冷,冷到不能自拔。就像骨髓里填满了冰渣。 这些血与泪是多么可怕,要是降临在我们身上,我们会如何? 俄罗斯的苦难要我们都记住。记忆就是冰上的血迹,鲜艳而凛冽。相比较,我们的生活太平庸了,可我们敢面对那样的时代吗?只希望它别再出现吧。 曼夫...
评分西伯利亚情歌 那些云沉得那么低,像要睡在海的眼皮上 像是太平洋的一串迷梦,她梦见了黑海。 荒芜的岛屿像是沃罗涅日, 阳光摸索着我左肩的骨头像我弃妻的手。 他们突然交出了所有的珠宝,这些云沉得那么低, 他们突然从袖口掏出了上个世纪的雪橇。 他们请求我躺在上面, ...
我必须承认,一开始我对这本书的期待是相当保守的,以为又是一部老生常谈的‘挣扎求存’的故事。但很快,我的预判就被颠覆了。作者以一种近乎残酷的坦诚,撕开了那些关于‘坚持’和‘信念’的温情面纱,揭示了更深层次的、关于生存本身的冷峻本质。它探讨的不是简单的善恶对抗,而是当所有支撑体系崩塌之后,人还能依靠什么来构建自己的世界。角色的行动逻辑非常具有说服力,即使他们的选择令人不安,你也能理解其背后的必然性。这种对人性和环境互动关系的深刻洞察,让我不得不思考,如果是我身处那样的境地,我会做出何种选择?这本书的魅力在于它的‘不妥协’,它拒绝用廉价的希望来麻痹读者,而是用一种近乎冷酷的现实主义,让我们直面生存的重量。读完之后,我感到一种被洗礼后的疲惫,但同时,也获得了一种更坚实的力量感。
评分这本书真是让人眼前一亮,它的叙事方式极其独特,不像我读过的任何其他小说。作者似乎有一种魔力,能将那些看似平淡无奇的日常片段编织成一张张充满张力的网。我特别喜欢它对人物内心世界的描绘,那种细腻入微的心理刻画,简直让人感同身受。你会发现,书中的角色并非完美无缺的英雄或彻头彻尾的恶棍,他们行走在模糊的道德地带,做出艰难的选择,这些选择深刻地影响了他们的命运。那种在迷雾中摸索前行的无力感和偶尔闪现的希望光芒,都被作者捕捉得恰到好处。阅读的过程就像是进行一次漫长而又令人沉醉的哲学思辨,它迫使你去思考人性的复杂性、环境对个体塑造的力量,以及我们在面对巨大不确定性时的真实反应。文字的节奏掌握得非常巧妙,时而舒缓如歌,时而急促如鼓点,完美地烘托了情节的起伏。我合上书页时,脑海中久久回荡的不是故事的结局,而是那些充满力量的瞬间和那些关于存在意义的深刻叩问。
评分坦白说,初读之下,我差点被它那有些疏离和冷峻的笔触吓退。这本书的叙事并不讨好读者,它不提供廉价的安慰,也不轻易给出明确的答案。相反,它像一个冷静的观察者,将一系列事件和人物关系铺陈在你面前,任由你自己去解读其中的意味。这种克制的表达方式反而产生了一种强大的张力。我尤其欣赏作者对时代背景的捕捉,那种潜移默化地渗透在角色对话和环境描写中的社会氛围,非常真实可信。它并非那种情节跌宕起伏的商业小说,而更像是一部深刻的人性剖析剧,充满了留白和象征意义。你得愿意投入精力去挖掘字里行间隐藏的信息,才能真正领会它的精妙之处。对我而言,最震撼的是它处理“时间”的方式,过去、现在与未来的界限在书中常常模糊不清,这种结构上的创新,极大地增强了故事的宿命感和史诗气质。
评分这本书的语言风格简直是教科书级别的示范,充满了令人惊叹的精确性和音乐性。每一个句子都经过了精心的打磨,如同打磨宝石一般,透露出内敛而又坚韧的光芒。我发现自己常常会停下来,仅仅是为了反复品味某一段描绘或一句独白,那种节奏感和词语的精准选择,简直是文学上的享受。它没有冗余的形容词堆砌,但所描绘的画面感却异常饱满和立体。更难得的是,作者能够将如此华丽而有深度的文字,与最底层、最原始的情感连接起来,形成一种既高雅又接地气的独特气质。读起来,我仿佛置身于一个由文字构筑的、既美丽又有些残破的世界里,感受着人物们在困境中挣扎却又不屈服的生命力。这本书值得反复阅读,每一次重温,都会在不同的段落里发现新的光彩,仿佛一首结构复杂的交响乐,初听震撼,再听入迷。
评分从结构上看,这部作品无疑是极其大胆的尝试。它似乎有意地打乱了传统叙事的线性时间轴,通过碎片化的记忆和非线性的事件穿插,构建了一个充满回响和回溯的叙事迷宫。起初,这种跳跃感让人有些迷失方向,需要集中全部注意力去梳理事件之间的逻辑联系。然而,一旦适应了这种独特的节奏,你会发现,这恰恰是作者表达主题的最佳方式——生活本身就是由无数交织的回忆和瞬间构成的,而非一条笔直的轨道。这种结构上的复杂性,成功地模拟了记忆的不可靠性和创伤的持续性影响。它要求读者积极参与到故事的重构过程中,从这个角度来说,它极大地增强了阅读的主动性和沉浸感。这本书绝不是可以轻松消遣的读物,它更像是一场智力与情感的双重挑战,但最终的回报,是远超一般小说的精神丰盈。
评分"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
评分"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
评分看完深深地爱上了这位敏锐而坚韧的作者!
评分看完深深地爱上了这位敏锐而坚韧的作者!
评分"We were all the same: either sheep who went willingly to the slaughter, or respectful assistants to the executioners. Whichever role we played, we were uncannily submissive, stifling all our human instincts."
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