"The Art of the Ridiculous Sublime" is first of all the detailed reading of David Lynch's "Lost Highway", based on the premises of Lacanian psychoanalysis. Lynch's unique universe of the 'ridiculous sublime' is interpreted as a simultaneous playful staging and traversing of the fundamental ideological fantasies that sustain our late capitalist society. A master of reversals, Zizek invites the reader to re-examine with him easy assumptions, received opinion, and current critical trends, as well as pose tough questions about the ways in which we understand our world and culture. He offers provocative readings of "Casablanca", "Schindler's List", and "Life Is Beautiful" in the process of examining topics as diverse - and as closely linked - as ethics, politics, and cyberspace. Slavoj Zizek is senior researcher in the Department of Philosophy, University of Ljubljana, Slovenia. He is the author of more than 70 books including 11 in English.
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Lynchian与《妖夜慌踪》仅仅是书中若干事例的其中一种，除却第二章"The Femaine Act"对新/旧黑色电影的女性形象有一些论述之外，基本上与林奇无关，Arts Of Ridiculous Sublime是一本于千禧年写就的论述，其真正的主角是网络时代及其后现代By-Product：鲍德里亚，后认知主义，德勒兹，哈拉维（尽管在对“赛博格”的定义上与哈拉维截然相反）。以及齐老爷子永远的"Lacanian"主体性，地位大约等同《新千年文学备忘录》之于卡尔维诺。
评分insightful, but somewhat not revolving around Lost Highway.
评分insightful, but somewhat not revolving around Lost Highway.
评分他只是把lynchéen作为自己理论的佐证了,没多大意思
评分Lynchian与《妖夜慌踪》仅仅是书中若干事例的其中一种，除却第二章"The Femaine Act"对新/旧黑色电影的女性形象有一些论述之外，基本上与林奇无关，Arts Of Ridiculous Sublime是一本于千禧年写就的论述，其真正的主角是网络时代及其后现代By-Product：鲍德里亚，后认知主义，德勒兹，哈拉维（尽管在对“赛博格”的定义上与哈拉维截然相反）。以及齐老爷子永远的"Lacanian"主体性，地位大约等同《新千年文学备忘录》之于卡尔维诺。
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