Finding George Orwell in Burma

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Emma Larkin is the pseudonym for an American journalist who was born and raised in Asia, studied the Burmese language at the School of Oriental and African Studies in London, and covers Asia widely in her journalism from her base in Bangkok. She has been visiting Burma for close to fifteen years. Emily Durante has been acting since the age of seven, performing in a number of stage plays professionally, in the community, and at the college level. Other performance credits include commercial and industrial voice work, educational live theater, and singing telegrams. She has been narrating audiobooks for over ten years. Her titles include the Midnight Twins trilogy by Jacqueline Mitchard, Casting Off by Nicole R. Dickson, Impossible and Locked Inside both by Nancy Werlin, and Smooth Talking Stranger by Lisa Kleypus. She has also directed audiobooks, including the Earphones Award-winning performance of Heaven's Keep narrated by Buck Schirner. Emily resides in the Philadelphia area with her husband and two children.

出版者:Penguin Books
作者:Emma Larkin
出品人:
頁數:304
译者:
出版時間:2006-3-6
價格:USD 16.00
裝幀:Paperback
isbn號碼:9780143037118
叢書系列:
圖書標籤:
  • 遊記 
  • Orwell 
  • 曆史 
  • Burma 
  • 緬甸 
  • GeorgeOrwell 
  • 英國文學 
  • 旅行 
  •  
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In one of the most intrepid travelogues in recent memory, Emma Larkin tells of the year she spent traveling through Burma, using as a compass the life and work of George Orwell, whom many of Burma's underground teahouse intellectuals call simply the Prophet.In stirring prose, she provides a powerful reckoning with one of the world's least free countries.

Finding George Orwell in Burma is a brave and revelatory reconnaissance of modern Burma, one of the world's grimmest and most shuttered police states, where the term Orwellian aptly describes the life endured by the country's people. A truer picture of authoritarianism than anyone has written since, perhaps, Orwell himself.

具體描述

讀後感

評分

书所记录的内容,是一个极佳的纽带,连接奥威尔时代的殖民缅甸与奥威尔语言之下的极权缅甸,值得我们反思帝国主义与极权主义的关联与本质差别。虽然知道缅甸是军人独裁国家,但确实没有深入了解过这个国家的历史与人民生活状况,毕竟在亚洲,远一点有东西朝鲜两朵奇葩竞相争艳...  

評分

高中的时候,因为模联的缘故在了解人权问题时关注过缅甸的历史。那时适逢昂山素季去领取她三十年前获得的诺贝尔和平奖。当事也曾看过这部关于她的传记电影《The Lady》,对于她被缅甸军政府被软禁十余年但在其间仍不遗余力为缅甸人权发声印象深刻。还记得她在诺奖颁奖时主题为...  

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“多一个人看奥威尔,就多了一分自由的保障。”这句印在中文版《一九八四》封面上的话,很好地说明了奥威尔的力量所在。读过《一九八四》的人们,都会惊叹于其中精确的预言,也会产生好奇:奥威尔为什么具有预言能力? 这个问题可能不止一个答案。虽然很多知识分子在 1956 年赫...  

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“A hotel manager working in a government-run hotel explained to me that if she was too friendly with foreigners she was given a warning. She was transferred every two years, to prevent her from cementing friendships with returning tourists. ” “In one of ...  

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在未看艾玛·拉金的《在缅甸寻找奥威尔》之前,我一直以为奥威尔的反乌托邦思想及著作源自西班牙内战,以及那个时期苏联所表现出的恐怖与残暴,比如阅读《一九八四》,脑海中便浮现出与老大哥形象对应的苏联或与之紧密联系的极权国家,缅甸则从未出现在想象性视野之中。但该书...  

用戶評價

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很好看。重走奧威爾的緬甸之路,無論是瞭解緬甸還是奧威爾都是很好的讀物。作者有很強的當地文化與語言背景,能深入到旅遊路綫之外的地方,帶著異域風情的寓言、文獻和人文風情都蠻有意思。而無論是書中的緬甸,還是文本所要錶達的觀點,都很有熟悉的感覺。緬甸與某國太像瞭,但可惜的是,不知作者看到昂山素季和今日緬甸掙紮中的民主轉型又會作何感想——書中一些判斷還是過於陳於錶麵瞭。

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不怎麼喜歡《緬甸歲月》,人物過於臉譜化;對《一九八四》呢?感情有點復雜。奧威爾作品中,最喜歡的是最先齣版的《巴黎倫敦落魄記》。

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看瞭很久很久,一直聽著rice叔的unplayed piano。對比現在的緬甸,不知作者會有什麼新的想法。

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不怎麼喜歡《緬甸歲月》,人物過於臉譜化;對《一九八四》呢?感情有點復雜。奧威爾作品中,最喜歡的是最先齣版的《巴黎倫敦落魄記》。

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假藉奧威爾之名的“政治宣傳冊”

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