大卫·林奇(David Lynch),美国最具个人色彩的导演之一。1946年生于美国蒙大拿州,儿时的梦想是成为书画刻印艺术家,但最著名的身份却是导演。他的电影华丽而诡异,但主题隐晦压抑,深具拉美魔幻小说的超现实主义气质,代表作如《穆赫兰道》与《蓝丝绒》等,都着力于日常生活遮掩下的人性荒诞与失控的展示,它们都是林奇观察力与想象力的产物。在镜头背后,林奇首先是一个富有创见的旁观者与思想家。
In this rare work of public disclosure, filmmaker David Lynch describes his personal methods of capturing and working with ideas, and the immense creative benefits he has experienced from the practice of meditation <br/><br/> Over the last four decades, David Lynch has created some of the best-known and widely discussed screen works of our time. This distinctive writer-director's art bears not only the mark of box-office success but also criticalacclaim and cultural posterity. <br/><br/> Yet Lynch generally reveals little of himself, or the ideas behind his work. Now he provides a rare window into his methods as an artist and his personal working style. In Catching the Big Fish, Lynch writes candidly about the tremendous creative benefits he has gained from his thirty-two-year commitment to practicing Transcendental Meditation. <br/><br/> In brief chapters, Lynch describes the experience of "diving within" and "catching" ideas like fish-and then preparing them for television or movie screens, and other mediums in which Lynch works, such as photography and painting. <br/><br/> In the book's first section, Lynch discusses the development of his ideas-where they come from, how he grasps them, and which ones appeal to him the most. He then shares his passion for "the doing"-whether moviemaking, painting, or other creative expressions. Lynch talks specifically about how he puts his thoughts into action and how he engages with others around him. Finally, he discusses the self and the surrounding world -and how the process of "diving within" that has so deeply affected his own work can directly benefit others. <br/><br/> Catching the Big Fish provides unprecedented insight into Lynch's methods, as it also offers a set of practical ideas that speak to matters of personal fulfillment, increased creativity, and greater harmony with one's surroundings. <br/><br/> The book comes as a revelation to the legion of fans who have longed to better understand Lynch's deeply personal vision. And it is equally intriguing to anyone who grapples with questions such as: "Where do ideas come from?" and "How can I nurture creativity?
從2008年的春夏之交讀到2010年的春天。 其實剛剛開始并不那么喜歡這本書。是上課的時候阮筠庭老师在課前讀一小段。一次,兩次。阮老师的聲音和大衛林區的文字非常契合。安靜,平淡,在溫柔中有種不可抗拒的力量,你必須跟著他和她的思維走,不得不使自己開始思考。 我注意到一...
评分这本书表面上看起来有点像推销员写的心灵鸡汤,读着读着令人觉得有点可信但又像David Lynch在胡扯瞎诌 。但是,我个人认为,这本书所推崇的基本价值和传递的信息是真诚和有用的。 David Lynch拿钓鱼做人生和做事比方。我们需要ideas。我们都像在钓鱼一样,我们...
评分都是短小的文章,读起来不费力。但是他推崇超觉静坐的方式和他的每一部电影联系起来,让人难以接受这像广告词一样的文字。 大卫林奇的创意之道很难不让人觉得就是指超觉静坐。 我决定以后在创作之前多试试。 他或许觉得这确实是静坐带给他的好处,可是观众和读者想要的不是一...
评分 评分在屋内 在屋外 努力做事情 安静的什么都不做 找女人 一个人 思考 行动 (习惯于这个状态,那么你可以换一种状态) 林奇说静心可以找到那些灵感。的确,安静先让自己的心安静下来,在去看看需要什么。 其实写写日志、睡睡觉、吃吃饭等都可以是一种方式。
很多人对David lynch的评价无外乎窥探人性的暗黑魔王之类,他的电影看多了也就觉得其实并不是这回事。twin peaks里的cooper代表了lynch的部分人格,谦逊有礼,心地澄澈,充满好奇心,又异常聪敏,浑身散发着优质的正能量。他拍黑暗题材,更多地是站在一个旁观者的角度以单纯的审美趣味,觉得黑暗,罪恶,神秘主义,有种别样的,不常见的美感而已。他才不冷酷邪恶,twin peaks里Andy每次流的眼泪都是lynch的悲悯情怀。lynch的思考方式是纯艺术化的,而正常人很难不带一点理性思考,所以他的作品总让人纠结,也因此出现了很多考究帝。而如今再看,这种考究简直暴殄天物
评分创作的深渊。其实林奇在书中说的,Z很早之前也提到过。
评分林奇大神还是老老实实拍电影吧 这书写的实在是太说教了 简直把林奇塑造成了电影圈儿的李开复
评分就让大卫林奇继续他的TM吧
评分更像是读书时随手做的札记,简洁、随性,但是可以看到一个人对这个世界的思考和看法。重要的角度,一个人经历了什么,就会从他所经历的事物中获益,然后在不经意间将过去的点和现在的创造串联起来。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有