In this rare work of public disclosure, filmmaker David Lynch describes his personal methods of capturing and working with ideas, and the immense creative benefits he has experienced from the practice of meditation <br/><br/> Over the last four decades, David Lynch has created some of the best-known and widely discussed screen works of our time. This distinctive writer-director's art bears not only the mark of box-office success but also criticalacclaim and cultural posterity. <br/><br/> Yet Lynch generally reveals little of himself, or the ideas behind his work. Now he provides a rare window into his methods as an artist and his personal working style. In Catching the Big Fish, Lynch writes candidly about the tremendous creative benefits he has gained from his thirty-two-year commitment to practicing Transcendental Meditation. <br/><br/> In brief chapters, Lynch describes the experience of "diving within" and "catching" ideas like fish-and then preparing them for television or movie screens, and other mediums in which Lynch works, such as photography and painting. <br/><br/> In the book's first section, Lynch discusses the development of his ideas-where they come from, how he grasps them, and which ones appeal to him the most. He then shares his passion for "the doing"-whether moviemaking, painting, or other creative expressions. Lynch talks specifically about how he puts his thoughts into action and how he engages with others around him. Finally, he discusses the self and the surrounding world -and how the process of "diving within" that has so deeply affected his own work can directly benefit others. <br/><br/> Catching the Big Fish provides unprecedented insight into Lynch's methods, as it also offers a set of practical ideas that speak to matters of personal fulfillment, increased creativity, and greater harmony with one's surroundings. <br/><br/> The book comes as a revelation to the legion of fans who have longed to better understand Lynch's deeply personal vision. And it is equally intriguing to anyone who grapples with questions such as: "Where do ideas come from?" and "How can I nurture creativity?
大衛·林奇(David Lynch),美國最具個人色彩的導演之一。1946年生於美國濛大拿州,兒時的夢想是成為書畫刻印藝術傢,但最著名的身份卻是導演。他的電影華麗而詭異,但主題隱晦壓抑,深具拉美魔幻小說的超現實主義氣質,代錶作如《穆赫蘭道》與《藍絲絨》等,都著力於日常生活遮掩下的人性荒誕與失控的展示,它們都是林奇觀察力與想象力的産物。在鏡頭背後,林奇首先是一個富有創見的旁觀者與思想傢。
在我阅读这本书的第一段时,我就决定我要立刻读完它,很久没有一本书让我有这样的决心了,因为这几个月来我实在太忙,坐下来静下心从头到尾读完一本书竟然成了一种奢侈。 本来约了朋友在一家咖啡厅里聊天,浏览书架时看到这本书翻了翻,便决定读完它。幸好朋友也和...
評分一本书谈来弹去就一句话,“超觉静坐”其实就是禅定,冥想,佛教自印度传入中土,与土生的道家一脉,交融,生出净土禅宗。充满了佛陀的智慧和道家的虚静,便是起了一谶,大卫林奇的电影关注多年,但这本192页的书有些废话连篇。
評分 評分在屋内 在屋外 努力做事情 安静的什么都不做 找女人 一个人 思考 行动 (习惯于这个状态,那么你可以换一种状态) 林奇说静心可以找到那些灵感。的确,安静先让自己的心安静下来,在去看看需要什么。 其实写写日志、睡睡觉、吃吃饭等都可以是一种方式。
評分这本书表面上看起来有点像推销员写的心灵鸡汤,读着读着令人觉得有点可信但又像David Lynch在胡扯瞎诌 。但是,我个人认为,这本书所推崇的基本价值和传递的信息是真诚和有用的。 David Lynch拿钓鱼做人生和做事比方。我们需要ideas。我们都像在钓鱼一样,我们...
約會的男孩得知我喜歡冥想和林奇之後,送來一本書。用朗讀的方式,兩天時間讀完,啓發很大。大師和工匠之間的區彆在於“力度”。我總覺得林奇的作品和文字,在不動聲色中透露著無法名狀的、強大的、有重量的光環。而工匠們用極大的力氣去假裝“渾然天成,道法自然”。不知道咋說,反正兩者是反著的。
评分怪老頭的冥想安利隨筆集
评分就讓大衛林奇繼續他的TM吧
评分大衛林奇也是個神棍。。
评分約會的男孩得知我喜歡冥想和林奇之後,送來一本書。用朗讀的方式,兩天時間讀完,啓發很大。大師和工匠之間的區彆在於“力度”。我總覺得林奇的作品和文字,在不動聲色中透露著無法名狀的、強大的、有重量的光環。而工匠們用極大的力氣去假裝“渾然天成,道法自然”。不知道咋說,反正兩者是反著的。
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