These essays on the pychology of pictorial representation form a companion volume to the author's influential "Art and Illusion". Writing on the central problems of perspective, on visual discoveries in art, on the representation of movement, expression, gesture and action, on the role of visual images in communication, on standards of truth in representation, Professor Gombrich combines the insights of the art historian with the rigorous approach of the experimental psychologist. In these complementary essays the fruitful dialogue between art history and science is continued, with the author's characteristic wisdom, enthusiasm and clarity.
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