From Publishers Weekly:
The last year of Keats's life, 1820, was a time of great triumph and, as Walsh writes in this gripping but irritatingly melodramatic book, one of great pain. The year before, he had written such extraordinary works of literature as "On a Grecian Urn," "To a Nightingale," "On Melancholy" and "La Belle Dame Sans Merci," and when those poems appeared, in July 1820, they were immediately hailed by the British press. But by that time, Keats was already coughing up blood, having contracted, in February of that year, the tuberculosis that was to kill him. In September, accompanied by Joseph Severn, a loyal friend and a painter who in joining the poet damaged his chances of winning a prestigious fellowship, Keats sailed to Rome, where he installed himself in a room overlooking the famous Spanish Steps, hoping to get well, soon preparing to die. Walsh, whose previous books include Midnight Dreary: The Mysterious Death of Edgar Allan Poe, draws back the curtain on the 100 days that followed, a long sad scene that has only been glimpsed in other biographies. He is adept at explaining Keats's passions and the deep-rooted morbidity that may have played a role in his much debated relationship with Fanny Brawne, Keats's young lover. Walsh's prose can be grandiloquently banal, but he does evoke the scene, and the reader will be relieved to learn that the pseudo-poetic narration is accomplished without poetic license, as even such phrases as "the morning sun glinting off the houses" comes directly from the description of a witness. Walsh is evenhanded and convincing in his account of Keats's last days, a chapter of literary history that certainly belongs on shelves alongside the classic tragedies. (Oct.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal:
Walsh (Midnight Dreary: The Mysterious Death of Edgar Allen Poe) believes that the last days and death of John Keats have never been thoroughly documented or interpreted. Here he reexamines Keats's relationship with his great love, Fanny Brawne; his connection with religion; and the diagnosis and treatment of his illness. When Keats became ill, his doctor sent him to Rome with a companion, John Severn, to recover from what may or may not have been consumption. It was, at the time, theorized that Keats was made sick by his consuming need to write poetry and his jealous and possessive love of that seemingly shallow and outrageous flirt, Fanny. Drawing on the 39 letters from Keats to Fanny (along with a few written by Severn and friends), Walsh argues that Keats's love for Fanny did inspire his poetry, which in turn led to his everlasting literary fameAbut that Keats probably died of consumption just the same. Of particular interest, as well, is Walsh's profile of Severn, who stood by and served Keats throughout his incapacitating confinement. Of benefit to anyone who wants to know more about John Keats, this book is recommended for public and academic libraries.ARobert Kelly, Fort Wayne Community Schs., IN
Copyright 1999 Reed Business Information, Inc.
John Evangelist Walsh is the author of more than a dozen books of history and biography, including Midnight Dreary: The Mysterious Death of Edgar Allen Poe and Unraveling Piltdown: The Science Fraud of the Century and Its Solution. He lives in Monroe, Wisconsin.
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我得说,这本书的叙事结构简直是鬼斧神工。作者似乎完全不受传统线性叙事的束缚,而是采取了一种多角度、碎片化的方式来拼凑出全貌,这要求读者必须全神贯注,稍不留神就可能错过关键的线索。这种挑战性恰恰是它吸引我的地方,每当解开一个谜团,或是将两个看似不相关的片段联系起来时,那种“啊哈!”的顿悟感是无与伦比的。它更像是一场智力上的探险,而不是被动地接受信息。配乐般的氛围营造也是一大亮点,无论是在描绘广袤的自然景观时,还是在刻画幽闭的内心世界时,作者总能找到最合适的“音调”,让文字拥有了听觉上的冲击力。我甚至觉得,如果把这本书改编成电影,导演的挑战会非常大,因为文字中自带的沉浸感很难被视觉完全捕捉。
评分这本书给我的感觉,是它拒绝被轻易归类。它混合了多种文学元素的特质,让你在阅读过程中不断地修正你对它的预期。时而感觉像是一部严肃的历史编年史,充满了对社会变迁的深刻反思;转眼间,又带入了浓厚的奇幻色彩,展现出超越现实的想象力边界。这种跨越类型的自由度,使得每一次翻页都充满了新鲜感和不确定性。人物的道德光谱也是模糊不清的,没有绝对的好人与坏蛋,更多的是在特定情境下做出合乎他们自身逻辑的选择,这使得故事的复杂性和真实性大大增加。它迫使读者去审视自己的道德准则,并思考在极端压力下,自己会做出何种选择。这是一次非常值得的、充满启发的思想碰撞。
评分对于那些寻求“轻松阅读”的读者来说,这本书可能需要一些适应期,因为它要求你投入相当多的心神。但如果你愿意接受这份挑战,它所回报的将是远超预期的精神食粮。这本书的留白处理得非常高明,作者从不急于给出所有答案,而是将解读的空间留给了读者自己。很多重要的主题都是通过象征和隐喻来传达的,你需要带着你的生活经验和情感储备去“填补”这些空缺,从而形成你独一无二的阅读体验。我欣赏这种“共创”的模式,它让阅读不再是单向的灌输,而是一种双向的、充满生命力的互动。这本书,无疑会在我的“年度必读”榜单上占据一个重要的位置,因为它不仅是一个故事,更是一次对自我的重新校准。
评分这本书的开篇就给我一种扑面而来的厚重感,仿佛一下子就被卷入了一个早已存在了无数年的宏大叙事之中。作者在构建这个世界观时展现出了惊人的耐心和细致,每一个角落都仿佛经过了精心的打磨和雕琢。我特别喜欢那种在不经意间流露出的历史沉淀感,那种感觉就像是翻开一本尘封已久的手抄本,字里行间都弥漫着古老的气息。人物的塑造也极为成功,他们不是扁平的符号,而是有着复杂多面性的个体,他们的动机、挣扎和成长都让人感同身受。尤其是主角,他内心的矛盾和每一次艰难的抉择,都深深牵动着我的情绪。整本书的节奏把握得恰到好处,既有令人屏息的紧凑情节,也有让人沉思的缓慢叙事段落,让读者有时间去消化和回味那些深刻的意象。我甚至在阅读过程中会不自觉地放慢速度,生怕错过任何一个细微的暗示或伏笔。
评分读完后,一股挥之不去的情感浪潮在我心中久久回荡,那种感觉是如此的真实和强烈,仿佛我亲身经历了书中所描绘的一切。这本书的语言风格极其凝练,用词精准而富有画面感,很多句子单独拿出来都可以作为格言警句。它不像一些作品那样试图用华丽的辞藻堆砌,而是选择用最恰当的词语去触动人心最柔软的部分。情节的推进虽然看似缓慢,但实际上暗流涌动,每一次的平静背后都潜藏着巨大的张力。我尤其欣赏作者在处理人际关系上的细腻处理,那些未曾言明的默契、那些心照不宣的理解,都被描绘得淋漓尽致,让人不得不佩服作者对人性洞察的深刻。这是一部需要静下心来细品的佳作,它给予读者的不仅仅是一个故事,更是一种对生命、对选择的哲学思考。
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