Daniel Buren consistently questions how art is conceived and perceived, and deliberately inverts the relationship that visual artworks maintain with the places where they are exhibited. Because an exhibition site is never neutral, Buren integrates the location's characteristics into the work itself, to prevent the work from being hijacked by its place of presentation. Buren's "in situ" works are deduced from the sites where they take place. They integrate the role of the observer, who by perceiving visually, can understand with minimal exterior information the links between the work and the host location that prompted it. This "in situ" concept enables such works to be eventually replayed like a musical score, and through it, Buren has broadened the artistic field into the entire visual domain. Author Guy Lelong examines the evolution of Daniel Buren's work from the advent of his famous 65-foot striped canvas in 1965 to his large-scale formal apparatuses of recent years. This book illuminates the origins, significance, and inherent revolutionary nature of Buren's art to date.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有