John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.
The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.
How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.
John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.
Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.
John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps. Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.
个人觉得看这本书时要注意带点批判的思想,为什么这样说呢?因为我们和约翰伯格的文化背景不同,有时候对一张照片先入为主的印象就会不同。 我在看《西装与照片》那一章时就有这种感觉,约翰伯格说就算把那三位农民的头挡住,通过观察他们那不得体的西装,也能看得出他们是三个...
評分大爷们为什么喜欢拍荷花呢?这不得不说荷花存在的场景,完全就是为摄影定制的。 想象一幅画面就明白了。荷叶虽然千姿百态,但它们又非常的统一,一个色调,一种型制,为一张干净的照片准备了统一又不失些许明暗变化的背景;而荷花在这个单纯的背景衬托下,骄傲独立,尤其含苞待...
評分捕获过去与未来, 可能会是一种暂时进入永恒的方式, 但永恒的反面却不是朝生暮死, 而是遗忘。 ——约翰·伯格 这是阅读约翰·伯格的第二本书, 实在太喜欢他的文字了, 他所有的书都值得收藏, 可以反复阅读。 这本书由英国国宝级别作家杰夫·戴尔(Geoff Dyer)用心编辑, ...
評分大爷们为什么喜欢拍荷花呢?这不得不说荷花存在的场景,完全就是为摄影定制的。 想象一幅画面就明白了。荷叶虽然千姿百态,但它们又非常的统一,一个色调,一种型制,为一张干净的照片准备了统一又不失些许明暗变化的背景;而荷花在这个单纯的背景衬托下,骄傲独立,尤其含苞待...
評分个人觉得看这本书时要注意带点批判的思想,为什么这样说呢?因为我们和约翰伯格的文化背景不同,有时候对一张照片先入为主的印象就会不同。 我在看《西装与照片》那一章时就有这种感觉,约翰伯格说就算把那三位农民的头挡住,通过观察他们那不得体的西装,也能看得出他们是三个...
很喜歡他在講述自己理論時那種娓娓道來的筆力。最難的那幾篇反而看得最認真。到瞭給彆人作序時,老先生往往旁徵博引,刹不住腳,有些越俎代庖之意。
评分很喜歡他在講述自己理論時那種娓娓道來的筆力。最難的那幾篇反而看得最認真。到瞭給彆人作序時,老先生往往旁徵博引,刹不住腳,有些越俎代庖之意。
评分審美理論的那幾篇實在太難讀…後半直接寫攝影傢的就好懂多啦。最喜歡的還是Henri Cartier-Bresson。
评分I need to understand photography more to understand a photograph
评分I need to understand photography more to understand a photograph
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