One of the most widely admired writers of our time returns us to the captivating play and narrative allure of his previous novels—G. and To the Wedding among them—with a shimmering fiction drawn from chapters of his own life.
One hot afternoon in Lisbon, our narrator, John, finds his mother, who had died fifteen years earlier, seated on a park bench. “The dead don’t stay where they are buried,” she tells him. And so begins a remarkable odyssey, told in simple yet gorgeous prose and with the openness to personal and political currents that has always marked John Berger’s work.
Having promised his mother that he will henceforth pay close attention to the dead, John takes us to a woman’s bed during the 1943 bombardment of London, to a Polish market where carrier pigeons are sold, to a Paleolithic cave, to the Ritz Hotel in Madrid. Along the way, we meet an English aristocrat who always drives barefoot, a pedophile schoolmaster, a Spanish sculptor who cheats at poker, and Rosa Luxemburg, among other long-gone presences, and John lets us choose to love each of them as much as he still does.
This is a unique literary journey in which a writer’s life and work are inseparable: a fiction but not a conventional novel, a narration in the author’s voice but not a memoir, a portrait that moves freely through time and space but never loses its foothold in the present, a confession that brings with it not regret but a rich deepening of sensual and emotional understanding.
John Berger is a novelist, storyteller, poet, screenwriter, and art critic. His previous books include the Into Their Labours trilogy (Pig Earth, Once in Europa, and Lilac and Flag), About Looking, and Ways of Seeing (all available in paperback from Vintage Books). He was awarded the Booker Prize for G. and received a Lifetime Achievement Award from the Lannan Foundation. Born in England, he has for many years lived in a small rural community in France.
在《我们在此相遇》里,作者想通过对于现实中曾经存在,现在依然存在的城市来回顾历史观照现在的处境,从中生活着的人会继续生活在这里的人们,在这样的一些具体的地点上,发生着很多很多事情,但作者从中找到他需要的也是想带给读者的关于这个城市的遭遇,更加感人的是...
评分起初只是被封面的电车吸引,似乎暗示着一段不坏的旅程。 害怕回忆录,因为一般的回忆录里充满了自恋和错误的记忆。 但这次没有以上弊端,更多的是克制。行云流水之间,细碎的片段变成珍珠,也许光芒没有钻石激昂,却温柔地招引着我们。 书后,梁文道说,这是“地志类”的写...
评分“深秋的下午,给人一种白日时光明显缩短的凄凉之感。里面有种无法赎回的东西。” 带着这样一份凄凉,白发男子摊开一张纹路和字迹都已模糊的地图。不过,他好像不在乎这些,他的眼睛都已闭上。这时候,吱呀声慢慢推开房门。男子睁开眼睛,用眼神迎接走进来的客人。 ...
评分在《我们在此相遇》里,作者想通过对于现实中曾经存在,现在依然存在的城市来回顾历史观照现在的处境,从中生活着的人会继续生活在这里的人们,在这样的一些具体的地点上,发生着很多很多事情,但作者从中找到他需要的也是想带给读者的关于这个城市的遭遇,更加感人的是...
评分“深秋的下午,给人一种白日时光明显缩短的凄凉之感。里面有种无法赎回的东西。” 带着这样一份凄凉,白发男子摊开一张纹路和字迹都已模糊的地图。不过,他好像不在乎这些,他的眼睛都已闭上。这时候,吱呀声慢慢推开房门。男子睁开眼睛,用眼神迎接走进来的客人。 ...
原来里斯本成为我的下个目的地,是从这里开始的。
评分也就Lisboa比较有意思吧。
评分智慧贯穿在匪夷所思的情节中,可惜没坚持看完
评分原来里斯本成为我的下个目的地,是从这里开始的。
评分只喜欢lisboa这章
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