After Art (POINT

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出版者:Princeton University Press
作者:David Joselit
出品人:
页数:136
译者:
出版时间:2012-10-28
价格:GBP 21.95
装帧:Paperback
isbn号码:9780691150444
丛书系列:
图书标签:
  • 艺术史
  • 当代艺术
  • DavidJoselit
  • 艺术
  • 美国
  • 艺术史及艺术理论
  • 建筑
  • 哲学
  • 艺术哲学
  • 当代艺术
  • 视觉文化
  • 艺术理论
  • 创意表达
  • 美学思考
  • 艺术实践
  • 文化批判
  • 艺术史
  • 观念艺术
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具体描述

Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house. Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, "After Art" provides a compelling and original theory of art and architecture in the age of global networks.

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与其说是学术论述倒不如说是一份关于当下如何通过艺术和策展进行有效的institutional critique的manifesto。在图像爆炸的当下,艺术和其美学开始遵守epistemology of search engine,而艺术作为一种图像流通的格式(format)连通了具有特定美学和哲学意识形态的社会资本和金融资本。本着以其人之道还治其人之身的原则,Joselit提出理想的艺术家或策展人要去揭示单个图像/艺术品和其图像网的关系,同时提出巧用这种格式的权力,把艺术变为一种非金钱性质的流通货币,创造出支持图像再分配行为的空间(image commons)。可读性和可行性都考虑到,深入浅出,短小精悍,没有掉冗余的书袋,真是难得。

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刷了两遍然而有待再刷

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好像也被偷了。Mark一下。

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刷了两遍然而有待再刷

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