On Weathering illustrates the complex nature of the architectural project by taking into account its temporality, linking technical problems of maintenance and decay with a focused consideration of their philosophical and ethical implications.In a clear and direct account supplemented by many photographs commissioned for this book, Mostafavi and Leatherbarrow examine buildings and other projects from Alberti to Le Corbusier to show that the continual refinishing of the building by natural forces adds to, rather than detracts from, architectural meaning. Their central discovery, that weathering makes the "final" state of the construction necessarily indefinite, challenges the conventional notion of a building's completeness.By recognizing the inherent uncertainty and inevitability of weathering and by viewing the concept of weathering as a continuation of the building process rather than as a force antagonistic to it, the authors offer alternative readings of historical constructions and potential beginnings for new architectural projects.Mohsen Mostafavi is Associate Professor of Architecture and Director of the Master of Architecture I Program at the Graduate School of Design, Harvard University. David Leatherbarrow is Chairman of the Department of Architecture and of the Program in Urban Design at the Graduate School of Fine Arts, University of Pennsylvania.
具體描述
讀後感
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用戶評價
90年代的文風還很情懷的樣子，一句是一句的。建築錶麵的衰頹，質感的暴露，一定程度上構成瞭現代意義上的紀念性。斑駁粗糙構成時間感，時間感構成距離感，距離感構成崇高感，崇高感構成紀念性。因此20世紀初纔會有Zyklopenstil。
评分Some age, some only die. Buildings and human are alike. But, wait, isn’t that refusal to aging a modern way of aging?
评分讀的愜意，notes也很給力
评分Some age, some only die. Buildings and human are alike. But, wait, isn’t that refusal to aging a modern way of aging?
评分90年代的文風還很情懷的樣子，一句是一句的。建築錶麵的衰頹，質感的暴露，一定程度上構成瞭現代意義上的紀念性。斑駁粗糙構成時間感，時間感構成距離感，距離感構成崇高感，崇高感構成紀念性。因此20世紀初纔會有Zyklopenstil。
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