First Love, Last Rites

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出版者:Vintage Books
作者:Ian McEwan
出品人:
页数:165
译者:
出版时间:1994-1
价格:USD 14.00
装帧:Paperback
isbn号码:9780679750192
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图书标签:
  • IanMcEwan
  • 小说
  • 英国
  • 英国文学
  • 英文原版
  • Ian_McEwan
  • 外国文学
  • 文学
  • 爱情
  • 死亡
  • 回忆
  • 成长
  • 命运
  • 遗憾
  • 救赎
  • 时光
  • 孤独
  • 抉择
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具体描述

Ian McEwan's Somerset Maugham Award-winning collection First Love, Last Rites brought him instant recognition as one of the most influential voices writing in England today. Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

作者简介

Ian McEwan is the bestselling author of more than ten books, including the novels The Comfort of Strangers and Black Dogs, both shortlisted for the Booker Prize, Amsterdam, winner of the Booker Prize, and The Child in Time, winner of the Whitbread Award, as well as the story collections First Love, Last Rites, winner of the Somerset Maugham Award, and In Between the Sheets. He has also written screenplays, plays, television scripts, a children’s book, and the libretto for an oratorio. He lives in London.

Biography

One of the most distinguished novelists of his generation, Ian McEwan was born in England and spent much of his childhood traveling with his father, an army officer stationed in the Far East, Germany, and North Africa. He graduated from Sussex University in 1970 with a degree in English Literature and received his MA in Creative Writing from the University of East Anglia.

McEwan burst upon the literary scene in the mid-1970s with two short story collections that highlighted with equal clarity his early predilection for disturbing, somewhat shocking subject matter and his dazzling prose style. Similarly, his 1978 debut novel, The Cement Garden, attracted as much attention for its unsettling storyline as for its stylistic brilliance. But even though his early work was saturated with deviant sex, violence, and death (so much so that he earned the nickname "Ian MacAbre"), he was never dismissed as a mere purveyor of cheap thrills. In fact, two of his most provocative works (The Comfort of Strangers and Enduring Love) were shortlisted for major U.K. awards.

As he has matured, McEwan has moved away from disquieting themes like incest, sadism, and psychotic obsession to explore more introspective human dramas. In an interview with The New Republic he described his literary evolution in this way:

"One passes the usual milestones in life: You have children, you find that whether you like it or not, you have a huge investment in the human project somehow succeeding. You become maybe a little more tolerant as you get older. Pessimism begins to feel something like a badge that you perhaps do not wear so easily. There is something delicious and reckless about the pessimism of being 21. And when you get older you feel maybe a little more delicate and hope that things will flourish. You don't want to take a stick to it."

Among many literary honors, McEwan has been awarded the Somerset Maugham Award for First Love, Last Rites (1976) and the Whitbread Prize for The Child in Time (1987). Nominated three times for the Booker Prize, he finally won in 1998 for Amsterdam. He has also received the WH Smith Literary Award and National Book Critics' Circle Fiction Award for Atonement (2001) and the James Tait Black Memorial Prize for Saturday (2005).

目录信息

Homemade
Solid Geometry
Last Day of Summer
Cocker at the Theatre
Butterflies
Conversation with a Cupboard Man
First Love, Last Rites
Disguises
· · · · · · (收起)

读后感

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刚读了一篇,我就决定写点什么。 我读了这本书的主打小说《最初的爱情,最后的仪式》。我决定写点什么。 好多年了,我想找一部和鲁迅的《伤逝》一样牛逼的小说,可是一直没有找到。读到四分之三的时候我以为我找到了,可是继续读下去,我发现它又偏离了。有点绝望,看来这世...  

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麦克尤恩进入中国的顺序,像是一种倒叙,2007年由其同名小说改变的电影《赎罪》大热,人们在牢记凯拉奈特莉被钉在书架上做爱,两人四肢像蜘蛛般延展镜头的同时,也深深记住了“伊恩 麦克尤恩”这个在英格兰早已红得发紫的名字,《水泥花园》、《阿姆斯特丹》、《梦想家彼得》...  

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代赵毅衡老师发 —————— 八十年代初,美国大学的创作班开始遍地开花,什么大学都能开一个,请来的老师多半是需要钱的作家诗人。那时候就引发辩论,问大学开这种行当,除了给一些名声可疑的作家诗人们饭碗,给当作家梦的学生一点似有似无的希望最后更加残酷的失望,其他...  

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麦克尤恩进入中国的顺序,像是一种倒叙,2007年由其同名小说改变的电影《赎罪》大热,人们在牢记凯拉奈特莉被钉在书架上做爱,两人四肢像蜘蛛般延展镜头的同时,也深深记住了“伊恩 麦克尤恩”这个在英格兰早已红得发紫的名字,《水泥花园》、《阿姆斯特丹》、《梦想家彼得》...  

用户评价

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"there is no need at all."

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Ian McEwan is a sick ,sick man. But damn he can write!——Goodreads上某评论

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dark, complex, perverse, morbid, at times disturbing, but flowing imagination. fascinating.

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写的非常好,有些故事让人惊讶的同时又有一种of course的恍然大悟感。故事参差有高低,但整体有一种对世界、人性的恶意,对世界、人性的无情攻击。然而我们无法反驳,因为,of course..

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学校一条街10块钱买的盗版翻印书质量可以,没仔细读扫过几篇,躁动的青春啊 以前麦克尤恩很火那阵译文还是书城有过不错的介绍好像还节译了,可能是中文译本出版之前那时候。那就不可能是译文了那个时候已经停刊了,不过译文肯定作过专题的,拜《赎罪》所赐的尤恩热潮啊。读译林《时间中的孩子》是什么时候的事了,隐约还记得故事大概,那个时候他还被叫做“恐怖尤恩”。《在切瑟尔沙滩上》怎么说呢,译文登过前半的后来在复旦旧书店八块钱买到本九成新英国精装版,无绝人帮我搬家的时候还特意感慨了下不知道潜台词是啥表情很微妙。。。最喜欢《水泥花园》,多半是夏洛特更斯布电影的关系,她舅舅Andrew Birkin拍的。对这作家谈不上喜欢。不喜欢《赎罪》电影。

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