In this tour de force of psychological unease--now a major motion picture starring Charlotte Gainsbourg and Sinead Cusack--McEwan excavates the ruins of childhood and uncovers things that most adults have spent a lifetime forgetting--or denying. "Possesses the suspense and chilling impact of Lord of the Flies."--Washington Post Book World.
In this tour de force of psychological unease--now a major motion picture starring Charlotte Gainsbourg and Sinead Cusack--McEwan excavates the ruins of childhood and uncovers things that most adults have spent a lifetime forgetting--or denying. "Possesses the suspense and chilling impact of Lord of the Flies."--Washington Post Book World.
Ian McEwan is the bestselling author of more than ten books, including the novels The Comfort of Strangers and Black Dogs, both shortlisted for the Booker Prize, Amsterdam, winner of the Booker Prize, and The Child in Time, winner of the Whitbread Award, as well as the story collections First Love, Last Rites, winner of the Somerset Maugham Award, and In Between the Sheets. He has also written screenplays, plays, television scripts, a children’s book, and the libretto for an oratorio. He lives in London.
Biography
One of the most distinguished novelists of his generation, Ian McEwan was born in England and spent much of his childhood traveling with his father, an army officer stationed in the Far East, Germany, and North Africa. He graduated from Sussex University in 1970 with a degree in English Literature and received his MA in Creative Writing from the University of East Anglia.
McEwan burst upon the literary scene in the mid-1970s with two short story collections that highlighted with equal clarity his early predilection for disturbing, somewhat shocking subject matter and his dazzling prose style. Similarly, his 1978 debut novel, The Cement Garden, attracted as much attention for its unsettling storyline as for its stylistic brilliance. But even though his early work was saturated with deviant sex, violence, and death (so much so that he earned the nickname "Ian MacAbre"), he was never dismissed as a mere purveyor of cheap thrills. In fact, two of his most provocative works (The Comfort of Strangers and Enduring Love) were shortlisted for major U.K. awards.
As he has matured, McEwan has moved away from disquieting themes like incest, sadism, and psychotic obsession to explore more introspective human dramas. In an interview with The New Republic he described his literary evolution in this way:
"One passes the usual milestones in life: You have children, you find that whether you like it or not, you have a huge investment in the human project somehow succeeding. You become maybe a little more tolerant as you get older. Pessimism begins to feel something like a badge that you perhaps do not wear so easily. There is something delicious and reckless about the pessimism of being 21. And when you get older you feel maybe a little more delicate and hope that things will flourish. You don't want to take a stick to it."
Among many literary honors, McEwan has been awarded the Somerset Maugham Award for First Love, Last Rites (1976) and the Whitbread Prize for The Child in Time (1987). Nominated three times for the Booker Prize, he finally won in 1998 for Amsterdam. He has also received the WH Smith Literary Award and National Book Critics' Circle Fiction Award for Atonement (2001) and the James Tait Black Memorial Prize for Saturday (2005).
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评分看完一个多礼拜了,某些形象与气味经久不散。那就随记几笔吧。 我作为讲述者,欲望的原点,球形的镜子,反照出与其它人物间的欲望关系。故事中的人与物有比较明显的对应关系。 父亲=水泥:父亲执着于水泥;我第一次手淫,也是他横死在水泥上的日子 母亲=盒子:我做了一个梦...
评分组成一个家庭的最基本元素是父母,也就是家长(权力)。人们可以两两组建家庭,结合诞生后代,用DNA和知识续写人类的历史。若一个家庭失去了父母其中的一方,便可称为残破的单亲家庭,虽然结构不如完整家庭稳固健全,但仍旧能维持着家庭的基本运转,家长的权利依旧在运转控制着...
评分在看了那么多对于杰克的解析之后,我反倒对朱莉更感兴趣。在麦克尤恩惯常使用的青春期男孩视角下,女孩往往投射着他们的某种渴望。对于杰克来说,朱莉气质里带着的诱惑性和侵略性能满足他成长里某种隐秘的幻想。在一开头朱莉就被描述成那种校园里的popular girl. 她穿着亮绿色...
评分通篇都是”我“四六不靠的叙述,让脑补主要情节成为必须,而且细思恐极。总觉得Sue有点可有可无,不过问题不大。另外这玩意还有电影????
评分电影美过小说
评分专制的父亲引发孩子的悲剧
评分探讨某种别样的可能性。笔法有詹姆斯凯恩和某些日系作家味儿 不知道伊恩写这本的时候有没有模仿局外人的意思…derek和一些其他部分还可以再饱满些 总之整个儿格调还是很中意的 四星半!
评分啊 又是部崩三观的作品
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