Niccolò di Bernardo dei Machiavelli (3 May 1469 – 21 June 1527) was an Italian philosopher, writer, and politician and is considered one of the main founders of modern political science.[1] He was a diplomat, political philosopher, musician, poet and playwright, but, foremost, he was a civil servant of the Florentine Republic. In June of 1498, after the ouster and execution of Girolamo Savonarola, the Great Council elected Machiavelli as Secretary to the second Chancery of the Republic of Florence.[2]
Like Leonardo da Vinci, Machiavelli is considered a typical example of the Renaissance Man. He is most famous for a short political treatise, The Prince written 1513, but not published until 1532, five years after Machiavelli's death, the same like another work of realist political theory, the Discourses on Livy. Although he privately circulated The Prince among friends, the only work he published in his life was The Art of War, about high-military science. Since the sixteenth century, generations of politicians remain attracted and repelled by the cynical (realist) approach to power posited in The Prince, the Discourses, and the History.[3] Whatever his personal intentions, which are still debated today, his surname yielded the modern political word Machiavellianism—the use of cunning and deceitful tactics in politics or in general.
The Discourses on Livy (Discorsi sopra la prima deca di Tito Livio, Discourses on the First Decade of Titus Livy) is a work of political history and philosophy composed in the early 16th century by the famed Florentine public servant and political theorist Niccolò Machiavelli (1469-1527), best known as the author of The Prince. Where The Prince is devoted to advising the ruler of a principality, i.e., a type of monarchy, the Discourses purport to explain the structure and benefits of a republic, a form of government based on popular consent and control. It is considered almost unanimously by scholars to be if not the first, then certainly the most important, work on republicanism in the early modern period.[1] Machiavelli dedicated this work to Zanobi Buondelmonti and Cosimo Rucellai, two of the greatest exponents of the Orti Oricellari in Florence, where aristocratic young people met in order to discuss politics, art and literature.
马基雅维利(公元1465年~1527年)与韩非(公元前280年~前233年)都是世界政治思想史上伟大的政治思想家。尽管他们生活的时代各异,地域不同,但他们都生活在一个社会大变革的时代。 马基雅维利生活在意大利封建割据、四分五裂、内忧外患、朝代更迭的时代。当时的意大利半岛上,有...
评分在本书中,马基雅维利以自己由现实政治状况引发的思考注解了李维的罗马史,从而重新建构出一套罗马城邦政治体系的金字塔式结构。 这套金字塔式结构的核心,便是马基雅维利所认为的“三制合一”的政体,即君主制、贵族制和民主制混合的政体。这种关于政体的观念,...
评分这部作品用大量的史实,赞颂罗马共和国的优良制度和罗马贵族、人民的德行。与近代作品相比,它不是建构在人文精神、道德的基础上,而是奠基于功利主义。马基雅维利绝不人云亦云,观察、剖析历史角度独特、深刻锐利,象一把锐利的手术刀,常有惊世骇俗观点,然而细细品味确有其...
评分读后感:一个说法是,不读论李维无法知道一个完整的马基雅维里。但是接续在君主论之后,再看这本史论,却感觉两本书呈现出来的并非是一个分裂的马基雅维里,在某种程度后者使得前者更加的完整。《论李维》是马基雅维里几乎与君主论同时写的一本书,主要是根据李维罗马史的前十...
评分为了mmw读的,逻辑结构十分清楚
评分补标一下去前花心思最多的书。一个吊诡的共和国,当讨论德性不再古典传统的品质性情,共和国的德性仿佛只剩下一张薄薄的纸。归根到底马基雅维利认为平民是又坏又蠢的,政治只是一场趋向于败坏的运动。在本科前三年给予我最大困扰和启发的不是柏拉图亚里士多德,也不是霍布斯卢梭,也不是马基雅维利的《君主》,而是这本诡异的《论李维》。
评分感谢中大图书馆,非常漂亮的原版书。可惜读马基雅维利实在是非常吃力。
评分finally...
评分读的是Bantam Classics上的选载
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