The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume, first published in 2000, includes: the indispensable first draft of Kant's introduction to the work; an English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views. All in all this edition offers the serious student of Kant a dramatically richer, more complete and more accurate translation.
第三遍看这个译本,和邓晓芒的对比了一下一下,发现李还是翻译得远不如邓,很多句子纯粹是病句,把本来清晰的意思翻译得狗屁不通,虽然康德的书,也不能奢求看翻译有多流畅了,但起码文句要通顺吧,这是译者最基本的态度吧。随举一例,导论第二节最后一段的一句话。李:“自然...
评分这书是康德三大批判的最后一本,也是最晚写成。 德国哲学书以晦涩难懂闻名,每分每秒都要紧紧抓住你的注意力,知名代表就是康德和黑格尔;不过话说回来,康德的书虽然句子难懂,部分跟中文蹩脚的翻译应该不无关系,虽然不能因此抹煞译者们的辛劳与智慧,部分也是因为哲学家论...
评分在《判断力批判》在中,康德一开始没有直接通过定义“美是什么”来形成对美的分析,而是通过对“鉴赏力”来讨论的。由此想要对“美”做出分析,来完成“判断力批判”的首要部分,关键就是讨论鉴赏判断的特征及作用。康德指出“从量上看,鉴赏判断是不凭借概念而普遍令人愉悦的...
评分提笔时还是有些胆怯,只因他的光辉太过耀眼,目前的我也只能远远地看这光辉照耀下的斑驳的影子。 只是浅谈些自己的体会吧。 美学史上一直把鲍勃嘉通视为美学之父。只因他提出了“感性学”这个扭转乾坤的研究重点,把美的研究从理性学的角度转移到感性学,这本身是个冒天下之大...
评分"In the end, critics of Kant only demonstrate what Kant himself said in the first place..."
评分teleology的部分才关键
评分teleology的部分才关键
评分Hamlet: “What a piece of work is a man! How noble in reason, how infinite in faculty!... And yet, to me, what is this quintessence of dust?”
评分"In the end, critics of Kant only demonstrate what Kant himself said in the first place..."
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