In his stunning essay, Coldness and Cruelty, Gilles Deleuze provides a rigorous and informed philosophical examination of the work of the late 19th-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism; their worlds do not communicate, just as the genius of those who created them - Masoch and Sade - lie stylistically, philosophically, and politically poles a part.
Venus in Furs, the most famous of all of Masoch's novels was written in 1870 and belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here - fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness - these do not eclipse the singular power of Masoch's eroticism.
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评分超好看(斯賓諾莎那塊待補
评分德勒茲說:潛意識是“生産性”“創造性”劇場...
评分小論文和後麵的小說都超棒的!簡單來說就是m has nothing to do with s. 還小小提到瞭“黑塞曾寫過的奇怪小說德米安”,很驚喜。維納斯大概也就比我多年前看的中文地攤貨翻譯好看一韆倍吧
评分德勒茲說:潛意識是“生産性”“創造性”劇場...
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