In his stunning essay, Coldness and Cruelty, Gilles Deleuze provides a rigorous and informed philosophical examination of the work of the late 19th-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism; their worlds do not communicate, just as the genius of those who created them - Masoch and Sade - lie stylistically, philosophically, and politically poles a part.
Venus in Furs, the most famous of all of Masoch's novels was written in 1870 and belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here - fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness - these do not eclipse the singular power of Masoch's eroticism.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
第六章最漂亮。
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评分超好看（斯賓諾莎那塊待補
评分超好看（斯賓諾莎那塊待補
评分SM是一個人為捏造的詞，施虐癖和受虐癖實際上是兩種不同的現象。他還給齣瞭施虐癖和受虐癖的全新錶述。可惜，我好像沒辦法完全理解他的錶述。一般來說，SM也一樣難以理解。在這裏，我想說說我自己的幾點看法。有些人在某些情況下可能是，有些人可能不是，兩者並不是互相排斥的。事實上，我們很多最強烈的情緒都來源於不止一種衝動。 顯然，施虐者可以從力量、權力和控製的感覺及受虐者的“痛苦”中感受到樂趣。 施虐者懲罰性吸引對象的欲望可能是無意識的，隻是為瞭激起欲望、徵服他；在某些情況下，也可能是因為欲望沒有得到滿足或是打翻瞭醋瓶子。
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