Nietzsche proposes in "Beyond Good and Evil" a system of inquiry and analysis known by the phrase 'history as critique.' This straightforward manner of investigation leads Nietzsche to question all of culture's most venerated conventions: science, religion, politics, decency and linguistic stock. He begins this process by overriding tradition when he says "only that which has no history can be defined." An explanation of virtue, for example, can only be written when the defintion eludes all possible requisites of custom and habit. We cannot properly administer the philosophical aspects of morality except through divine direction, suspicion, or an unexamined dependence on tradition. Because of this, Nietzsche calls to question the foundational premise that it is best for human beings to seek the truth. How do we know that mendacity isn't better? What is truth, anyway? He disputes the intention of the traditional esoteric venture. He unburdens all sources of cultural incontestability and claims to fixed truth which empties them of their value: "...we modern men, like semi-barbarians...reach 'our' bliss only when we are most in danger." Since we are in a process of perpetual adaptation we cannot be defined by any indigenous quality. Instead of adopting a class consciousness for purposes of easy identification Nietzsche asks that we establish an amplified sense of responsibility to our own luxurious creativity. He declares there is a higher calling: an unassisted life of intense but private joy, anguish, fortitude, perception, and constructive preparation.
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评分尼采的写作方式就像他喜欢的贝多芬一样，靠动机而不是主题或旋律推动。像will to power，suffering, morality这些都是作为动机而非主题反复出现的。尼采本人对tempo的强调也说明了这一点。传统的那种在内容里找主旨找支撑的阅读方式放在尼采身上恐怕会形成无限的误解，纳粹干过这事，中国有些近代文人干过这事，流行文化也孜孜不倦地干着这事。
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