William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.
William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies worldwide.
While his early writing took the form of short stories, Gibson has since written nine critically acclaimed novels (one in collaboration), contributed articles to several major publications, and has collaborated extensively with performance artists, filmmakers and musicians. His thought has been cited as an influence on science fiction authors, academia, cyberculture, and technology.
Hotwired to the leading edges of art and technology, Neuromancer is a cyberpunk, science fiction masterpiece—a classic that ranks with 1984 and Brave New World as one of the twentieth century’s most potent visions of the future.
The Matrix is a world within the world, a global consensus-hallucination, the representation of every byte of data in cyberspace...
Henry Dorsett Case was the sharpest data-thief in the business, until vengeful former employees crippled his nervous system. But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction.
The winner of the Hugo, Nebula, and Philip K. Dick Awards, Neuromancer was the first fully-realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about our technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.
http://blog.pixnet.net/post/AITNOG/175494 (載於《科科電子報》No. 43;2000年12月05日) William Ford Gibson,「電馭叛客」(Cyberpunk)科幻文學的創派宗師與代表人物。1948年03月17 日於美國南卡羅萊納州出生,19歲隨母移民加拿大多倫多市,於1972年偕妻子遷居溫哥華...
評分给这个水平非常有限且写的随便的帖子加一点补充说明: 本帖发于2013年8月11日,但第二天它就从豆瓣的《神经漫游者》图书条目下面消失了(即点开所有评论也找不到)。我进入自己的豆瓣页面,查看自己发过的评论,发现本帖得到0个回复、0个“有用”、16个“无用”。据说只要“无...
評分中译本: 她把手移到他的双腿之间,算是回答。黑暗中,她的另一只手摸着他的脖子。皮牛仔裤随着她的动作发出轻响。 他扭动了一下脑袋,脖子不硬了。他一只手撑起身子,转身仰卧着,把她拉下来。 “没事,”她说,“我看得见。”她一条腿搭在他身上。 他摸到了她的脸,意外地碰...
評分按照出场顺序排列—— 我叫凯斯,我曾经是一个网络黑客,以偷取数据为生。实不相瞒,我二十二岁的时候就已经闻名遐迩了。我享受在网络空间中“意识”与“肉体”分离的极乐快感,那感觉比磕了药都要爽上一千倍。但我怎么也想不到,今天竟会落得这步田地。我被逮住了,他们...
評分呃。。。好吧。。 亲爱的: 莫利 对于一个厌世的糙汉来说。以信的方式给你写几句话实在是有失颜面的事。 也许我该改个名字。比如叫什么杰克之类的。。。。 。。。。还是算了吧。 有点害羞了。这大概是因为我正在慢慢的重拾生活? 自从见过世界终极之后。我彷徨了很久...
為什麼這書來來去去讀瞭近一年都隻是在第一章打轉,昨晚喝高(茶)後邊掘進邊想終於整明瞭。與其說威廉·吉布森是在寫一個長篇,不如說是把許多短篇拆去藩籬後整幾條道機械閤併到瞭一塊,全篇無論是劇情還是文字的張力都保持在一~~長條直線上,絲毫沒有升降,一個任務完成後,“好我們去下一個地點,完”。既然圍齣來的麵積是相等的,至少也給個直角梯形而不是長方形吧!僅靠文采的確能撐起一個故事,他那些閃耀的短篇在劇情和敘事結構上並沒有過於用心,僅憑文字力就能在那狹小的空間裡引爆聚變,然而威廉·吉布森的功力還沒強到把情節和段子隨便砌砌就能撐起幾十萬字一片天的水平,就連恰剋·帕拉尼剋都未必能做到,往那大海裡一倒,嘩,化沒瞭,於是這書吸引力甚至遠不如並行的《荒野狼》,我可是鐵桿塞伯朋剋廚啊啊啊(捶地)
评分太燒腦,必須重讀一遍中譯本
评分終於把這本書讀完瞭。不知在寫這本書的時候作者嗑瞭什麼藥。83年寫完,而很多東西慢慢變成現實,每天都在用網路做各種事,各種數據被收集,消費習慣,思想傾嚮,閱讀音樂愛好都被分析,如果數字醫療,物聯網實現,我們的行為習慣都會被收集。收集的數據越多,量化分析的也會越精確。
评分對照著稀爛的翻譯看專屬名詞艱難啃下去...
评分偉大的小說【神經浪遊者】現在看起來 還是那麼酷 無限的前衛導引性
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