William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.
William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies worldwide.
While his early writing took the form of short stories, Gibson has since written nine critically acclaimed novels (one in collaboration), contributed articles to several major publications, and has collaborated extensively with performance artists, filmmakers and musicians. His thought has been cited as an influence on science fiction authors, academia, cyberculture, and technology.
Hotwired to the leading edges of art and technology, Neuromancer is a cyberpunk, science fiction masterpiece—a classic that ranks with 1984 and Brave New World as one of the twentieth century’s most potent visions of the future.
The Matrix is a world within the world, a global consensus-hallucination, the representation of every byte of data in cyberspace...
Henry Dorsett Case was the sharpest data-thief in the business, until vengeful former employees crippled his nervous system. But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction.
The winner of the Hugo, Nebula, and Philip K. Dick Awards, Neuromancer was the first fully-realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about our technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.
这个小说不好介绍,先从一个系列电影说起吧。这个系列电影就是《The Matrix》三部曲。 又叫《黑客帝国》,又叫《廿二世纪杀人网络》,顾名思义,就是和网络有关。在未来,有一种虚拟的网络,人类可以通过线路把思想接入其中。接进去和现实有什么区别?那是虚拟的世界,只要创造...
评分加注还是不加注,归根到底,就是,是否愿意把对文本的解释权完全交给读者。文本脱离了作者/译者,就成了读者的文本,每位读者的阅读体验都不会相同。我们只想提供完整的独立的文本,而不想告诉读者,该怎么理解这个词这个表达这句话。 关于加注,其实最担心的,是怕冒犯读者。...
评分威廉-吉布森在1983年完成《神经唤术士》这部科幻小说。可以从很多地方来说明这部小说的地位和影响力,不过一个最简单说法是,这是一部可以切片出售的小说。大到小说的主创意,小到小说里头女主角的形象设定、几行带过的往事回忆、一个机械锁的构思安排,都可以单独被拿出来卖...
评分给这个水平非常有限且写的随便的帖子加一点补充说明: 本帖发于2013年8月11日,但第二天它就从豆瓣的《神经漫游者》图书条目下面消失了(即点开所有评论也找不到)。我进入自己的豆瓣页面,查看自己发过的评论,发现本帖得到0个回复、0个“有用”、16个“无用”。据说只要“无...
评分偶然上京东发现这书有了新译本,欣喜若狂立刻下单,还在第一时间通知了以前几个同为科幻迷的小伙伴。小时候在科幻世界上读过吉布森的《整垮珂萝米》和《约翰尼的记忆》,以及另外几个译文版上刊登过的短篇,对他的文字风格印象深刻。神经漫游者作为吉布森的代表作自然是赛...
為什麼這書來來去去讀了近一年都只是在第一章打轉,昨晚喝高(茶)後邊掘進邊想終於整明了。與其說威廉·吉布森是在寫一個長篇,不如說是把許多短篇拆去藩籬後整幾條道機械合併到了一塊,全篇無論是劇情還是文字的張力都保持在一~~長條直線上,絲毫沒有升降,一個任務完成後,“好我們去下一個地點,完”。既然圍出來的面積是相等的,至少也給個直角梯形而不是長方形吧!僅靠文采的確能撐起一個故事,他那些閃耀的短篇在劇情和敘事結構上並沒有過於用心,僅憑文字力就能在那狹小的空間裡引爆聚變,然而威廉·吉布森的功力還沒強到把情節和段子隨便砌砌就能撐起幾十萬字一片天的水平,就連恰克·帕拉尼克都未必能做到,往那大海裡一倒,嘩,化沒了,於是這書吸引力甚至遠不如並行的《荒野狼》,我可是鐵桿塞伯朋克廚啊啊啊(捶地)
评分果然晦涩= = 前三分之一看了三个月,后三分之一看了3天!果然是因为要考试了么,需要释放压力=_,= 看了study guide后表示自己看懂了一部分!...
评分真是看得最心不在焉的书。
评分要开题才在读文本的白
评分对照着稀烂的翻译看专属名词艰难啃下去...
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