The Production of Space

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Henri Lefebvre began his career in association with the surrealist group, from whom he learned Hegel and a concern with dialectical logic. He was the first to translate Marx's early manuscripts into French, and his book Dialetical Materialism (published in 1938) became the work from which several generations of French intellectuals learned Marxism. Immediately after the war, Lefebvre began to reflect on a new object of study which he called "daily life". After the publication of Everyday Life in the Modern World, he was drawn to the analysis of urbanism, and wrote several books on the city, including Space and Politics (1972). In the 1960s he became closely involved with the younger school of French architects, and provided a theoretical framework for their work. Finally, the accumulation of these diverse themes led to his major philosophical work, The Production of Space.

出版者:Wiley-Blackwell
作者:Henri Lefebvre
出品人:
页数:464
译者:Donald Nicholson-Smith
出版时间:1992-4-8
价格:USD 59.95
装帧:Paperback
isbn号码:9780631181774
丛书系列:
图书标签:
  • 列斐伏尔 
  • 社会学 
  • 空间 
  • 城市 
  • 空間 
  • 哲学 
  • space 
  • 建筑 
  •  
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Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields.

The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy.

This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.

具体描述

读后感

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The spectacle is not a collection of images;rather,it is a social relationship between people that is mediated by images. (Guy Debord,The society of the spectacle) The quasi-logical presupposition of an identity between mental space (the space of the philo...  

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The spectacle is not a collection of images;rather,it is a social relationship between people that is mediated by images. (Guy Debord,The society of the spectacle) The quasi-logical presupposition of an identity between mental space (the space of the philo...  

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目前工作计划 一 在不久之前,“空间”一词有着一个严格的几何意义:它所引起的仅仅是一个空白区域的想法。学术界使用它通常伴随着一些绰号,例如“欧几里得”“等向性的”或者“无限的”。一般意见是空间的概念最终是数学的。因此,提到“社会空间”会听起来有些陌生。 空间概...  

评分

目前工作计划 一 在不久之前,“空间”一词有着一个严格的几何意义:它所引起的仅仅是一个空白区域的想法。学术界使用它通常伴随着一些绰号,例如“欧几里得”“等向性的”或者“无限的”。一般意见是空间的概念最终是数学的。因此,提到“社会空间”会听起来有些陌生。 空间概...  

用户评价

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终于读完了… introduction是key,个人觉得第四章最难啃

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spatial practice, percieved space (physical dimension) representation of space, conceived space (conceptual dimension) spaces of representation, lived space (social dimension) 柏林工大某课程涉及的书

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拿來分析A Rose for Emily。保佑我儘快順利寫完essay~

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不要把所谓新马克思主义这种烂标签,贴在这个耿直的老头身上

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拿來分析A Rose for Emily。保佑我儘快順利寫完essay~

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