Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to the history of Chinese visual aesthetics--the relationships among poetry, calligraphy, and painting. The practice of integrating the three art forms in one work of art emerged during the Yan dynasty (1279-1369) largely in the context of the literati scholar-artist culture. This interdisciplinary exploration of the literati painting inscribed with poetry and of related topics involves art historians, literary historians, and scholars of calligraphy who cover roughly two millennia of Chinese history in their research. Chinese characters have been provided throughout the texts for artists' names, for titles of works of art and literature, and for important historical figures, as well as for excerpts of relevant poetry and prose. A chronology, also containing Chinese characters, and an extensive glossary-index are included.
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诗、书、画三绝的论文集。
评分很好的书，但是第一次看好像就找到一处考证错误。刘松年仿高克明《溪山雪意图》这篇在引用刘道醇《圣朝名画评》时，也许是为了自圆其说，对高氏代鲍国资画壁画部分断章取义。读一段话不可能只读前半段不读后半段，难道是有意误导读者？
评分药物作用太大 脑子坏掉了
评分主要是收录了启功、陈寅恪的高徒何惠鉴以及方闻的文章，启功讲“三绝”的关系，何惠鉴讲“如画”/“画意”的文献考古与picturesque，以及言 (word), hsiang 象 (image), i 意 (idea)的关系。
评分很好的书，但是第一次看好像就找到一处考证错误。刘松年仿高克明《溪山雪意图》这篇在引用刘道醇《圣朝名画评》时，也许是为了自圆其说，对高氏代鲍国资画壁画部分断章取义。读一段话不可能只读前半段不读后半段，难道是有意误导读者？
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