具体描述
A treasure worth killing for. Sam Spade, a slightly shopworn private eye with his own solitary code of ethics. A perfumed grafter named Joel Cairo, a fat man name Gutman, and Brigid O’Shaughnessy, a beautiful and treacherous woman whose loyalties shift at the drop of a dime. These are the ingredients of Dashiell Hammett’s coolly glittering gem of detective fiction, a novel that has haunted three generations of readers.
作者简介
Dashiell Samuel Hammett was born in St. Mary’s County. He grew up in Philadelphia and Baltimore. Hammett left school at the age of fourteen and held several kinds of jobs thereafter—messenger boy, newsboy, clerk, operator, and stevedore, finally becoming an operative for Pinkerton’s Detective Agency. Sleuthing suited young Hammett, but World War I intervened, interrupting his work and injuring his health. When Sergeant Hammett was discharged from the last of several hospitals, he resumed detective work. He soon turned to writing, and in the late 1920s Hammett became the unquestioned master of detective-story fiction in America. In The Maltese Falcon (1930) he first introduced his famous private eye, Sam Spade. The Thin Man (1932) offered another immortal sleuth, Nick Charles. Red Harvest (1929), The Dain Curse (1929), and The Glass Key (1931) are among his most successful novels. During World War II, Hammett again served as sergeant in the Army, this time for more than two years, most of which he spent in the Aleutians. Hammett’s later life was marked in part by ill health, alcoholism, a period of imprisonment related to his alleged membership in the Communist Party, and by his long-time companion, the author Lillian Hellman, with whom he had a very volatile relationship. His attempt at autobiographical fiction survives in the story “Tulip,” which is contained in the posthumous collection The Big Knockover (1966, edited by Lillian Hellman). Another volume of his stories, The Continental Op (1974, edited by Stephen Marcus), introduced the final Hammett character: the “Op,” a nameless detective (or “operative”) who displays little of his personality, making him a classic tough guy in the hard-boiled mold—a bit like Hammett himself.
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这部作品，初读之下，便被一股老派侦探小说的独特魅力紧紧攫住，那种弥漫在空气中，带着旧日香烟和雨水的潮湿气息，扑面而来。叙事者的视角，冷静得近乎麻木，却又在不经意间流露出对人性复杂幽微之处的深刻洞察。它不是那种高歌猛进、充满爆炸场面的动作片，反倒是将重心放在了那些令人不安的微妙互动上，每一次对话都像是在铺设一张越来越密的网，让人不禁好奇，究竟谁才是真正的猎人，谁又是那被蛛丝缠绕的猎物。书中的角色塑造极为成功，每个人物都仿佛有他们自己深藏不露的秘密，那种城府之深，让人读起来大呼过瘾，仿佛自己也成了那个在昏暗灯光下，试图拼凑起破碎线索的局外人。尤其是对城市夜景和室内场景的描绘，简直是教科书级别的，那种光影交错，阴影幢幢的氛围感，直接把我拉进了那个充满诱惑与危险的旧日都市迷局之中，让人在阅读时，不自觉地屏住呼吸，生怕惊扰了那些潜伏在暗处的真相。
评分这本书的节奏感处理得极为高明，它懂得何时该收紧缰绳，让悬念陡然升温，又懂得何时该放慢脚步，让人物在特定的空间内进行心理上的角力。我特别喜欢那些在密闭空间内，两三个人物之间的对话场景，空气仿佛凝固了一般，每一次呼吸声都清晰可闻，那种心理上的压迫感远胜于任何身体上的冲突。它构建了一个关于“信任”与“背叛”的经典辩证场景，但视角非常新颖，让你很难站在任何一方的立场上去轻易下判断。与其说这是一部单纯的解谜故事，不如说它是一部关于人性阴暗面的深度剖析剧，通过一个错综复杂的事件为引子，最终指向的是每个人内心深处难以言喻的恐惧与渴望。每一次重读，都能从中挖掘出新的层次，这无疑是经得起时间考验的优秀作品。
评分我必须承认，某些段落的阅读体验是需要一点耐心的，尤其是在案件的初期阶段，信息量巨大，且人物关系错综复杂，初次接触可能会有些许迷失方向。但这恰恰是它的魅力所在，作者没有将一切都安排得井井有条，而是让你真切地体验到，身处迷雾之中的侦探所经历的那种挫败感与层层剥茧的艰辛。这本书的精妙之处，在于它对“物”的描绘，那些被反复提及的物件，它们不仅仅是推动情节发展的道具，更像是一种象征，承载着人物的欲望与执念。每一次对这些物件的聚焦，都像是在镜头拉近，让你看清欲望的本质是如何扭曲一个人的灵魂。整体的叙事结构如同一个精密的钟表，即使某个齿轮看似松动，最终也会发现，它不过是为了配合另一个更宏大的转动而存在，这种布局的严谨性，让人赞叹不已。
评分说实话，一开始我对于这种经典类型的小说抱持着一丝审慎的态度，生怕它沦为矫揉造作的怀旧，但翻开几页后，那种文字的质感和节奏感立刻抓住了我。作者对白的处理，简直是艺术，那些看似漫不经心的交锋，字里行间都充满了张力，你得全神贯注地去品味每一个停顿、每一个反问，因为真正的线索往往就藏在那些未被言明之处。读完之后，留在脑海里挥之不去的，不是某个具体的犯罪情节，而是那种挥之不去的情绪：一种关于贪婪、背叛以及存在主义式的孤独感。这书的厉害之处在于，它探讨的不仅仅是“谁干的”，更深层次地触及了“为什么会这样”，人物动机的复杂性远超预期，让人不得不去反思，在巨大的诱惑面前，道德的界限究竟能坚守到何种程度。那种宿命感和无力感，通过一个个精心设计的场景，层层递进，直至最后才恍然大悟，原来一切的挣扎，都不过是命运开的一个精心设计的玩笑。
评分从文学性的角度来审视，这部作品的语言风格散发出一种冷峻的、近乎哲学思辨的调性。它很少使用冗余的形容词去渲染气氛，而是通过精准的动词和犀利的对话，构建起一个坚硬而冰冷的世界观。读者仿佛被强行塞入一个局中，所有的情感波动都必须自己去挖掘，作者只提供骨架，血肉则需要读者自己去填充。尤其欣赏的是，作者对于“真相”的处理——它不是一个大白于天下的闪亮目标，而更像是一堆散落的、沾满灰尘的碎片，即使拼凑起来，也依然带着裂痕和瑕疵，这种不完美的真相，反而更贴近真实人生的况味。读完后，那种惆怅感久久不能散去，似乎窗外的世界也蒙上了一层难以名状的灰色滤镜，让人开始质疑日常表象下的暗流涌动。
评分Spade's blatant calculus of risk, reward and duty with which Hammett ends the novel contains remarkably little trace of morality.
评分Spade's blatant calculus of risk, reward and duty with which Hammett ends the novel contains remarkably little trace of morality.
评分Spade's blatant calculus of risk, reward and duty with which Hammett ends the novel contains remarkably little trace of morality.
评分硬汉小说 黑白电影的质感 语言平实无华 没啥生词 意外结局
评分Spade's blatant calculus of risk, reward and duty with which Hammett ends the novel contains remarkably little trace of morality.
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