图书标签: 艺术 PerformanceArt ParticipatoryArt 参与艺术 criticism 艺术理论 art 艺术市场
发表于2024-11-24
Artificial Hells pdf epub mobi txt 电子书 下载 2024
For over a decade, conceptual and performance art has been dominated by participatory art. Its champions, such as French curator Nicolas Bourriaud (who invented the term "relational aesthetics" to describe it) and American art historian Grant Kester, believe that by encouraging an audience to join in, the artist can promote new emancipatory social relations. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art. The book follows the trajectory of twentieth-century art and examines key moments in the development of the participatory aesthetic, in both Europe and America. This itinerary takes in Futurism, Dada, Situationism, Czechoslovakian Happenings, and Argentinean Conceptualism, and concludes with contemporary artists such as Thomas Hirschhorn, Tania Bruguera and Jeremy Deller. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to expose the political and aesthetic limitations of this work. In Artificial Hells she not only scrutinizes the claims for democracy and emancipation that the artists and critics make for the work, but also questions the turn to ethical (rather than artistic) criteria invited by such participatory and collaborative art.
作者簡介
克萊兒.畢莎普 Claire Bishop
紐約市立大學藝術史研究所博士班副教授。著有《裝置藝術》(Installation Art: A Critical History),是《參與》(Participation)雜誌主編。2008年,她共同策劃在倫敦當代藝術中心舉辦的「Double Agent」展,她也持續在Artforum、October、e-flux等雜誌發表論文。
譯者簡介
林宏濤
台灣大學哲學碩士,德國弗來堡大學博士研究。譯作有:《等待哥倫布》、《文明的哲學》、《我的名字叫耶穌》、《神子》、《與改變對話》、《上帝的語言》、《鈴木大拙禪學入門》、《菁英的反叛》、《神話學辭典》、《啟蒙的辯證》、《眾生的導師:佛陀》、《人的形象與神的形象》、《神在人間》、《隱藏之泉》、《法學導論》、《美學理論》、《愛在流行》、《南十字星風箏線》、《體會死亡》、《詮釋之衝突》、《藝術想怎樣?》等書。
claire bishop rocks
评分因為真的想去試圖有機會寫出一個計畫而隨便從州圖搜出來的關於參與式藝術的書,論述的觀點我覺得並不是太複雜或者說很難想。但背後紮實的案例梳理,爬梳這類藝術的發展脈絡,會provoke讀者,閱讀的過程本身倒像參與式的一個作品(笑。對我來說更像入門了解的工具書吧。
评分因為真的想去試圖有機會寫出一個計畫而隨便從州圖搜出來的關於參與式藝術的書,論述的觀點我覺得並不是太複雜或者說很難想。但背後紮實的案例梳理,爬梳這類藝術的發展脈絡,會provoke讀者,閱讀的過程本身倒像參與式的一個作品(笑。對我來說更像入門了解的工具書吧。
评分看历史和时间线别看critique.
评分claire bishop rocks
Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
评分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
评分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
评分林宏璋:“毕莎普以实证主义的当代艺术史立场,从观众参与艺术发展,以时序及地域书写的方式,爬梳了历史前卫主义到当代艺术中如何(被)观看的网络,以及参与形式所产生的观众构成。” 格罗伊思:“当地艺术家的好意经常是铺了一条通往地狱的路。毕莎普让我们爱上地狱,条件是...
评分林宏璋:“毕莎普以实证主义的当代艺术史立场,从观众参与艺术发展,以时序及地域书写的方式,爬梳了历史前卫主义到当代艺术中如何(被)观看的网络,以及参与形式所产生的观众构成。” 格罗伊思:“当地艺术家的好意经常是铺了一条通往地狱的路。毕莎普让我们爱上地狱,条件是...
Artificial Hells pdf epub mobi txt 电子书 下载 2024