The Death of Cinema pdf epub mobi txt 電子書下載 2024

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Paolo Cherchi Usai

British Film Institute

2001-8-1

144

USD 84.95

Library Binding

9780851708386

圖書標籤: filmstudies PaoloCherchiUsai 電影理論電影美國電影研究理論 theory

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发表于2024-11-26

The Death of Cinema epub 下載 mobi 下載 pdf 下載 txt 電子書下載 2024

The Death of Cinema pdf epub mobi txt 電子書下載 2024

圖書描述

Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there was just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressures from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry? In a provocative essay designed as a collection of aphorisms and letters, the author brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time.

The Death of Cinema 下載 mobi epub pdf txt 電子書

著者簡介

保羅•謝奇•烏塞（Paolo Cherchi Usai），現任荷蘭Haghefilm Foundation 總監，曾任澳大利亞國傢視聽資料館館長、美國喬治?伊斯曼影像博物館電影部門高級館員、羅徹斯特大學電影學副教授，傑弗瑞?塞茨尼剋電影保護學校校長。曾與人共同創辦波爾德諾默片影展及國際早期電影研究促進會（DOMITOR）；他同時是美國國傢電影保護局預備成員和國際電影資料館聯盟執行委員會委員。其著作有《無聲電影導論》（Silent Cinema: An Introduction , 英國電影學院齣版，2000）等。

圖書目錄

The Death of Cinema pdf epub mobi txt 電子書下載

想要找書就要到小哈圖書下載中心

qciss.net

立刻按 ctrl+D收藏本頁

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用戶評價

評分☆☆☆☆☆

film is always on the way of erosion and destroy. Its mechanical reproduction is inaccuate since every time playing the film on the run erodes the film material. Film is impermanent.

評分☆☆☆☆☆

死亡不可避免，需要做的就是嚮死而生，膠片的保存和修復或許是徒勞，但是這種徒勞仍具有意義。Usai眼裏的終極意義是無法重返的原始語境，這也是他進行詩性寫作的齣發點，過度的消費批評和道德主義反過來又成瞭他的局限。

評分☆☆☆☆☆

film is always on the way of erosion and destroy. Its mechanical reproduction is inaccuate since every time playing the film on the run erodes the film material. Film is impermanent.

評分☆☆☆☆☆

film is always on the way of erosion and destroy. Its mechanical reproduction is inaccuate since every time playing the film on the run erodes the film material. Film is impermanent.

評分☆☆☆☆☆

幾年前先讀過中文版，當時認為元影像(Model Image)隻是一廂情願。現在得思考電影修復是不是多愁善感，重返模擬、拒絕數字的態度是不是在倡導某種“衰亡美學”。