Architectural form reconsidered in light of a unitary conception of architecture and the city.
In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of "pure," but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an "archipelago" of site-specific interventions.
The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
評分如果以2008年全球性的经济危机为界,之前的世界格局提倡资本的自由流动——一种连续、延绵的地质,德勒兹(Gilles Deleuze)为代表的法国后结构主义哲学影响深远,伴随着计算机技术的蔓延,成为一系列新形式探索的理论指导。2008年以后,(新)自由主义带来的市场失败、资本贪...
評分The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
評分The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
評分The idea of differentiating URBANIZATION and CITY, and re-constructing the knowledge of architecture and city is - as Peter Eisenman put - radical and provocative, also ambitious. But I'm not convinced by the following historical digging and re-articulating...
用Absolute architecture - Infrastructure 的二元構造(重點在建築上),挑戰現代主義以降以城市整體為對象的Urbanism的“正統”。作為一種替代方案,“群島策略”將Palladio, Piranesi,Boullée和Ungers聯係在一起(私心是推齣Ungers),強調建築作為“城市形式”“城市方案”的可能性。一點淺見:將當代跨國、區域型設計企業和地産商的跨區域實踐、開發模式和審美趨勢的跨區域傳播納入框架,而不僅僅以建築師和本地實踐為核心,“architecture”會更有生命力和當代意義。
评分第一次在建築語境中用“絕對”一詞,pv“絕對”的意義應該在“分離”,是一種stop-city在與城市化過程的內部對抗中尋求的某種分離,這種分離的意義在本篇以及他的自主性那部著作中已經做好瞭理論闡述,然而現實中具體的可實施性問題現在勢必需要用他所說的策略性方案提供一個多元的決策嚮度,協商,並加以論證,其“絕對”的意義,在空間的實踐spatial practice過程中將如何再現
评分Aureli is not what I imagined to be determined and definite about types. for ADR typology, recommended by Abe. like the drawings a lot thou.
评分Architecture interventions with the city. read this with 'The architecture of the city' by Aldo Rossi ... read ING
评分建築作為城市對城市化的抵抗,曆史為未來撕開現實堅硬的血痂。 帕拉迪奧、皮拉內西、布雷、昂格斯,暗含著一種progressive的建築史觀。在政治經濟/城市形態/建築形式之間轉換筆鋒。
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