The Role of Japan in Modern Chinese Art pdf epub mobi txt 電子書 下載2025
Joshua A. Fogel is professor of history at York University, Toronto, and a specialist in the history of cultural and political ties between China and Japan in the modern era.
- 藝術史
- 日本
- 海外中國藝術研究
- 日本對中國藝術的影響
- 藝術
- 曆史
- 中國
- 藝術史
The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan's impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.
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讀後感
“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫，舊時文人畫也在此時亟需重構，前田環認為日本在此過程中起...
評分“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫，舊時文人畫也在此時亟需重構，前田環認為日本在此過程中起...
評分“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫，舊時文人畫也在此時亟需重構，前田環認為日本在此過程中起...
評分“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫，舊時文人畫也在此時亟需重構，前田環認為日本在此過程中起...
評分“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫，舊時文人畫也在此時亟需重構，前田環認為日本在此過程中起...
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评分其實細讀的隻有講王一亭和1929美展的兩篇，收獲非常大，也印證自己之前的一些推斷。剩下的篇目都快速翻瞭一遍，感覺蛛絲馬跡裏也藏著很多可以再挖掘的方嚮
评分質量非常高的一個閤集！
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