ix Foreword (Philippe de Montebello)
         xi Preface (Alfreda Murck)
         xiii Chronology
         xiv Abbreviations
         xv Introduction: The Three Perfections: Poetry, Calligraphy, and Painting (Wen C. Fong and Alfreda Murck)
         Part I Three Views of Unity
         3 Reflections on the Poetic Quality and Artistic Origins of Ch'u Ting's Summer Mountains (Xie Zhiliu)
         11 The Relationship between Poetry, Calligraphy, and Painting (Qi Gong)
         21 Masterpieces by Three Calligraphers: Huang T;ing-chien, Yhe-lu Ch'u-ts'ai, and Chao Meng-fu (Yang Renkai)
         Part II Lyric Aesthetics
         47 Chinese Lyric Aesthetics (Yu-Kung Kao)
         91 Calligraphic Style and Poetry handscrolls: On the Mi Fu's Sailing on the Wu River (Nakata Yujiro)
         107 Huang T'ing-chien's Cursive Script and Its Influence (Shen C. Y. Fu)
         123 The Relationship between Landscape Representations and Self-Inscriptions in the Works of Mi Yu-jen (Ogawa Hiromitsu)
         Part III Art of Imperial Academy
         Part IV Poetry into Painting
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